I Walked Out In Jesus Name – 1947–1970 – The Black Gospel Ladies (Various Artists)

The Black Gospel Ladies (Various Artists)
I Walked Out In Jesus Name – 1947–1970
Gospel Friend-NarroWay Records (2023)
www.gospelfriend.se

The Black Gospel Ladies CD art work

By Libra Boyd
Gospel Music Fever

Sweden-based producer Per Notini of Gospel Friend Records presents traditional gospel music lovers a three-disc reissue of gospel pearls with the release of I Walked Out In Jesus Name – 1947–1970. The effort, comprised of songs spanning more than two decades, features Black all-female and primarily female gospel groups, choirs, and soloists.

In the 1940s, Black gospel music was a blooming genre primarily performed in churches and religious events. By the end of the decade, there was an increase in the recording and broadcasting of gospel music, which enabled gospel artists to reach audiences beyond their local communities. Gospel music continued to expand in the 1950s with the growing popularity of quartets and groups, and in the 1960s as gospel choirs flourished. Throughout the time period, gospel music lyrics perpetuated messages of faith, hope, and resilience.

The roster of artists, of whom Notini refers collectively as “The Black Gospel Ladies,” includes well known acts like the Caravans, Clara Ward Singers, Roberta Martin Singers, Dionne Warwick featuring the Drinkard Singers, Mahalia Jackson and Sister Rosetta Tharpe, as well as lesser known singers of comparable talent like the Detroit Harmonettes, Ruth Beck Singers, Spiritual Singers for Christ, Evelyn Tyler and The Tyler Singers, and Alberta Kay Williams.

With songs arranged alphabetically by artist name, the 83-track offering opens with Sister Beatrice Adams’ recording of Robert Anderson’s “Prayer Changes Things.” The Minnie Woods Trio, thought to be an amateur ensemble, closes the project with “I’m In His Care.” An accompanying CD booklet includes artist bios and photos.

My preference would be to hear this multi-CD compilation chronologically so as to experience an even greater appreciation of the progression of gospel music over the 23-year span. Yet, regardless of order, the disc set is filled with treats. The Ruth Beck Singers’ joyous “His Love Bubbles Over In My Soul” is one. Another is “Meet Me In the City,” which the Choraliers Singers of Dayton drive with all the intensity of a live performance. Likewise does Mary Lee Haynie sing with verve, leading the Gore Family on “By My Side.” Dionne Warwick’s rendering of James Cleveland’s “Jesus Will” with her family, The Drinkard Singers, is simply delightful.

Notini writes in the album notes, “From the very beginning of Christianity, certain Bible passages were used by the male clergy to justify the discrimination of women. Yet, while the men have dominated the leadership in the American black church, the females have held—and still hold—a crucial position in it.” As such, it seems wholly appropriate that “I Walked Out In Jesus Name,” penned by Evelyn and Mildred Gay and sung assertively by Christine Sykes (mother of Georgia Mass Choir founder Rev. Milton Biggham), is the title track for this project.

I walked right out in Jesus’ name
I’ve been falsely accused, so many times I bear the blame
I’m gon’ live a Christian life—I’m not ashamed
Yes, I’m gon’ talk, keep walking in my Jesus’ name

Notini’s curated selection of recordings for I Walked Out In Jesus Name – 1947–1970 showcases the genre’s big names as well as unsung greats. Notwithstanding my wish for a chronological listening journey, the presentations of these gospel classics from “The Black Gospel Ladies” worthily exemplify the enduring power of gospel music.

Favorites
“His Love Bubbles Over In My Soul” – “Meet Me In the City” – “Jesus Will”

Fever Meter
SMOKIN’ (4 of 5 Stars)

“You’re Gonna Win” – Johnny Ruffin, Jr.

“You’re Gonna Win”
Johnny Ruffin, Jr.
JBP Music Entertainment (2023)
https://twitter.com/ruffin_johnny

This is the art work for the single "You're Gonna Win" by Johnny Ruffin, Jr.

By Libra Boyd
Gospel Music Fever

Johnny Ruffin, Jr. is a singer, producer, and multi-instrumentalist. No newcomer to the gospel music scene, he presents his current offering, “You’re Gonna Win.”

Ruffin touches on the unpredictability of life’s journey within the verses of his self-penned single. Nevertheless, he encourages, “Just hold on and be strong; you’re gonna win.” His measured and heartfelt delivery underscores his understanding of life’s highs and lows while desiring to convey a much-needed message of inspiration.

Among Ruffin’s accolades are multiple Rhythm of Gospel Awards, a DunAmis Gospel Award, and the President’s Award from the American Gospel Quartet Convention. His commitment to music that uplifts is yet evident in “You’re Gonna Win.”

Homegoing celebrations set for Vernon Oliver Price

Homegoing celebrations start today for beloved gospel great, Vernon Oliver Price. Mother Price died on October 5, 2023. She was 93. 

In Price’s hometown of Chicago, a musical salute will be held this evening at the Greater Tabernacle Cathedral COGIC, with Pastor Angela Spivey as the host. Among those scheduled to pay tribute at the 7 p.m. service are Lemmie Battles, Pastor Derail Smith and the Cosmopolitan Church of Prayer Warriors, Dexter Walker and Zion Movement, LeAnne Faine, and Price’s sister and frequent singing partner, Mother Loretta Oliver. There will also be a public viewing from 5:30 to 6:45 p.m.

The final service takes place tomorrow at 10 a.m. at Abounding Life COGIC in Posen, IL, with a public viewing beginning at 9 a.m.

I met Mother Price several years ago in Chicago. She was just as delightful as I imagined. My experience was equally as memorable the last time we had an in-person conversation. I am one of many who will miss her, and I extend my prayers to her children, grandchildren, siblings, and the entire family.

Our friend Robert Marovich shares more about Mother Price’s life and ministry in The Journal of Gospel Music: RIP Pioneer Gospel Singer Vernon Oliver Price

“It’s Morning” – Latrice Pace

“It’s Morning”
Latrice Pace
From the project, Exodus: The Journey of Obedience, Vol. 2 (2023)
latricepace.com

Latrice Pace in a field of sunflowers on her artwork

By Libra Boyd
Gospel Music Fever

Latrice Pace, bearing the legacy of her esteemed family’s gospel music tradition, takes us on a portion of her remarkable journey with “It’s Morning.” This uplifting track was released as the single just ahead of her current album, Exodus: The Journey to Obedience, Vol. 2.

While the Pace name is synonymous with gospel greatness, Latrice brings a fresh and vibrant twist to the genre in “It’s Morning.” Dismiss the notion that it’s a traditional or churchy gospel tune. Instead, the song bursts to life with lively vocals and an infectious hook, showcasing Latrice’s versatility as a singer and songwriter and Brien Andrews’ prowess as a producer.

The lyrics spring from Psalm 143:8, capturing the joy and hope that wash over us at the dawn of a new day. It’s a musical testament to trust in an unfailing God, a reminder that even after the darkest night, the morning brings renewal. “It’s Morning” will make you smile, twirl, dance, praise, and send air hugs to the heavens.

“Lover of My Soul” – Kateri B

“Lover of My Soul” feat. Mike Teezy
Kateri B
Indie (2023)
https://www.instagram.com/kbglobalmusic

"Lover of My Soul" Kateri B art work

By Libra Boyd
Gospel Music Fever

Kateri B gained national attention following her appearance on the second season of The Four starring Sean “Diddy” Combs, DJ Khaled, Megan Trainor, and Fergie. Her fan base expanded, but they would end up having to wait for new music while she toured with Grammy-winning gospel artist Jonathan McReynolds.

“Lover of My Soul” is Kateri Bluford’s current single, in which she expresses her need for Jesus and His incomparable love. The urban contemporary hip-hop track incorporates elements of soul and R&B, giving a nod to neo-soul. She is joined by inspirational hip-hop artist Mike Teezy.

“Can’t Nobody Remix” – Christopher Gray

Christopher Gray
“Can’t Nobody Remix”
Indie (2023)
christopherreesegray.com

By Libra Boyd
Gospel Music Fever

Christopher Gray is a musician, songwriter, producer, and recording artist who sings of the incomparable love of Jesus in his current single, “Can’t Nobody Remix.”

Born and raised in the inner-city part of Jackson, MS as the sixth of seven children, Christopher became acquainted with poverty, struggle, and eventually even incarceration—which he mentions in the opening verse of the remix—before coming into awareness of his purpose and using his musical gifts for the Lord as a praise and worship leader and recording artist.

Christopher’s vocal on “Can’t Nobody Remix” is warm but eclipsed by the tight background harmonies that carry the song. Still, the track is a nice addition to your summer/fall car playlist.

Life of L. Stanley Davis to be celebrated with musical homegoing service

L. Stanley Davis

The life of L. Stanley Davis will be celebrated this Sunday, August 20, 2023, with a musical homegoing service at Chicago’s First Church of Deliverance. The service begins at 4 pm, with family hour and visitation one hour prior. Davis, 71, died on August 2, 2023.

I have traveled to Chicago on multiple occasions. Never have I visited without being in the presence of Professor Davis. He was a lover of gospel music and its history with the gift of gab and ability to recall historical information in acute detail. He is already greatly missed.

Here is an excerpt of the obituary from Cannon Funeral Services:

Lurell Stanley Davis was born April 4, 1952, in Baltimore, Maryland—the only child—born to the late William Lurell Davis and Annie Laura Winston Davis. Mrs. Davis helped to raise and nurture her late brother’s two children—Stanley’s first cousins Mena Suzette Winston and Reginald O. Winston of Washington, DC. Stanley was a bright, inquisitive, music-savvy boy who thrived in school and in his home church, the historic Morning Star Baptist Church. By age 7, Stanley’s love of being front-and-center in church sparked his budding musical talent on the piano, singing and directing. That early spotlight earned him local fame as the “church boy who does it all.

Stanley was also a standout student academically, earning a scholarship to attend the private and prestigious Friends School of Baltimore. Up late every Sunday evening, Stanley often recalled how he ended his busy Sundays by staying up till midnight east coast time to listen to the live 11 pm radio broadcast of First Church of Deliverance. He matriculated at Northwestern University in Evanston in the fall of 1969. Bingo, that set the stage for Stanley’s love affair with everything Chicago! As a college first-year student, Stanley frequently took CTA trains and buses all over Chicago to learn and experience the city’s rich variety of different Black worship experiences and their unique musical styles. Already a gospel music savant from Baltimore, Stanley used Chicago as a living classroom. The excited, musically gifted teenager continued growing his encyclopedic knowledge and talent as a gospel performer, musician, director, teacher, historian and eventually a renowned expert—affectionately known as Professor L. Stanley Davis. Stanley used his trademark “bigger-than-life” personality, his broad easy smile, and his genuine nature to listen and learn from others while using his compassion to uplift and motivate just about anyone who ever crossed his path in this lifetime. Stanley proudly proclaimed, “I march to a different drummer’s beat.” In the process, Stanley became lifelong personal friends with Chicago’s gospel royalty—Julia Mae Kennedy, Ralph Goodpasture, the “Father of Gospel” Thomas A. Dorsey, the Barrett Sisters, Rev. Milton Brunson, Audrea Lenox, Albertina Walker, Sallie Martin, and Vernon Oliver Price. The teenage devotee’s most defining move was joining the nation’s oldest, premiere community choir, the fabled Wooten Choral Ensemble (WCE).

By the end of his sophomore year in college, Stanley’s Chicago discovery slowed down. Dr. Eileen Cherry-Chandler and Clifton Gerring, III, then both fellow Northwestern University upper-class students, finally convinced Stanley to become the founding artistic director of the Northwestern Community Ensemble (NCE) on May 8, 1971. Stanley proudly credited his musical blueprint for NCE directly from his firsthand experience with the WCE playbook. Stanley insisted NCE perform more than just gospel music—just like his beloved time in the Wootens. He demanded a repertoire of mastering, without sheet music in hand, anthems, Negro spirituals, and classic church hymns. After 53 years, Stanley’s musical dream continues to fill a spiritual void on Northwestern’s predominately white campus and throughout the Chicago community. NCE celebrated 52 years in May 2023, and is moving forward to celebrate “55 years of Stanley’s dream and legacy” in May 2026.

Musical homegoing flyer

After graduating from Northwestern in 1974 with a degree in Sociology with a focus on Urban Affairs, Stanley excelled in two high-tech corporate gigs with the old Illinois Bell Telephone Company and Montgomery Wards Signature Group. But by the late ‘70s, Stanley refocused his professional career on Black sacred music and teaching. Chicago Mayor Jane Byrne recruited noted Chicago Tribune music and arts critic and lecturer of music at Northwestern, Thomas Willis, to draft a plan for an International Music Festival. Willis tapped young Stanley to help him develop the plan. Tom and Stanley by this time were old music colleagues. When Willis taught Stanley in his music appreciation class in 1972, he turned a 15-minute presentation assignment on gospel music into a fact-filled, interactive hour. A stickler for details, Stanley concluded his presentation over three more entire class sessions later. Still as a Northwestern undergraduate student, Willis offered Stanley to teach six for-credit courses on the gospel music tradition, which included mandatory field trips to Chicago church services! From that humble teaching start, the Professor shared his ever-growing wealth of gospel, ethnic music knowledge, and performance studies as an adjunct instructor at Chicago’s Loyola University, University of Chicago, and DePaul University.

In the early ’90s, Northwestern invited Stanley back as a graduate student with a joint appointment to teach history and music in the African American Studies Department (now known as the Global Black Studies Department) and in the Bienen School of Music. While present on campus he became a faculty advisor/voice coach to his baby, NCE. In June 1997, Stanley earned his Master of Arts degree.

Over the years Stanley has achieved several firsts under the broad musical umbrella organization he created, Gospel Arts Workshop (GAW).

The full obituary can be viewed here.

GMF joins countless others in prayer for the family, friends, colleagues, and mentees of Professor L. Stanley Davis.

R.I.H. Jack Dempsey Winstead, quartet singer and guitarist

Jack Dempsey Winstead, quartet singer and guitarist

A homegoing service took place Wednesday (Aug. 15) in Roxboro, NC for Jack Dempsey “Demp” Winstead, 75, who passed August 11.

Winstead was remembered as a loving family member and friend as well as a singer and guitar player who shared his talent with several North Carolina-based groups including the Silver Stars of Blanch, Souls of Calvary from Franklinton, and for a time, the Brooklyn Allstars (whose founding member Rev. Thomas Spann transitioned last week, one day before Winstead).

Artis Swann, formerly of the Brower Brothers, was among those who comforted the family in song at the homegoing celebration.

GMF extends deep condolences to the Winstead family during this emotional time.

Haywood Barnes of the Sunset Jubilaires passes on

GMF extends sympathy to the Barnes family in the passing of Mr. Haywood Barnes on August 14, 2023, at the age of 82.

Haywood was a longtime member of the Sunset Jubilaires, organized by his brother, the late Bishop F.C. Barnes. According to Bishop Barnes in a bio on the Red Budd Holy Church website, “After I was called into the ministry and began pastoring, it took me away from the group, so my brother Haywood took over as lead singer.”

Haywood Barnes leads “I’m Going On” with the Sunset Jubilaires while other quartet greats look on.

Haywood’s nephew, Rev. Luther Barnes, eventually became the Jubilaires’ primary lead singer with Haywood continuing to share both lead and background chores. Other Barnes family members also rounded out the lineup.

A public viewing is scheduled for Saturday, August 19, at 10 am at Red Budd Holy Church in Rocky Mount, NC. The celebration of life service follows at 11.

Celebration of life flyer for Haywood Barnes

Homegoing services announced for Rev. Thomas Spann, founding member of Brooklyn Allstars

Thomas Spann of the Brooklyn Allstars died August 10, 2023.

Homegoing services have been announced for Rev. Thomas Spann, founding member of the Brooklyn Allstars. Rev. Spann transitioned on August 10, 2023. He was 98. 

A musical celebration takes place Friday, August 18. The celebration of life service follows on Saturday, August 19, with viewing prior to the service. Both services will be held at New Light Missionary Baptist Church in Greensboro, NC, and streamed live on the Serenity Funeral Home Cremation Live YouTube page.  Further details are available on the Serenity Funeral Home and Cremations website.

GMF joins the gospel community in extending condolences to his wife Donna, the entire Spann family, and the Brooklyn Allstars.

In June 2013, I interviewed Rev. Spann prior to a concert featuring the Brooklyn Allstars in Roxboro, NC. In his memory, a portion of the interview is reprinted below.

Brooklyn Allstars’ Thomas Spann reflects on “signature sound that I didn’t realize I had”

A fan approaches Rev. Thomas Spann sporting a wide grin and extending a slightly trembling hand, hailing, “The Legend! The Legend!” Rev. Spann graciously returns the gesture, “My man! Good to see you,” making apparent that he appreciates his supporters as much as they appreciate him. Admiration for the quartet veteran is immediately perceivable by the number of fan interruptions that continue throughout our early evening interview just prior to one of the Brooklyn Allstars’ concerts.

Rev. Spann tells me he organized the Brooklyn Allstars in 1948. Since then, he has worked the gospel circuit with his group’s instantaneously recognizable styling, which is directly attributed to his own bass vocals. Along the way, they’ve racked up a couple of gold records (“They say they were gold; I just say they were good,” Rev. Spann interjects) and toured extensively. Now, at 88 years old, Rev. Spann is assisted by a cane and sits onstage with mic in hand during some of the group’s mild numbers such as “No Cross, No Crown.” But you can rest assured that his voice still booms and when the Spirit moves him on tunes like “Stood on the Banks of Jordan,” he springs from his chair to join in with group member Sonny McClary, with whom he now shares lead tasks. Theirs is a sound that stands apart in traditional quartet music.

“I guess that’s what I say the longevity or success of the group is attributed to—the signature sound that I didn’t realize I had for a lot of years until I got a chance to compare it to a lot of other artists; then I realized it was so different that I decided to change it one time,” reflects Spann. He admits that the group almost lost its following when he tried to alter it.

“I was rejected; I had no idea I had that many fans, and I didn’t know that that many people cared one way or another, you know, about what we were doing.”

They still care. As a matter of fact, their loyal fan base is what keeps them going more than six decades later.