REVIEWS

“OMG You Gave Me Everything” – TONIO

“OMG You Gave Me Everything”
TONIO
Available on Spotify (July 4, 2025)

By Libra Boyd, Editor in Chief

TONIO "Oh My God" art work

From the very first beat, “OMG You Gave Me Everything” makes it clear that gospel jazz/rap artist TONIO came to get listeners moving.

Before a single lyric drops, the song delivers a solid 25 seconds of pulsating rhythm that gives me Afro-Cuban vibes—plenty of time to settle into the bop.

At its core, the track is TONIO’s expression of gratitude. He raps:

From the block to the pew, gotta whole new view
Everything I have, it came from You
I’m telling You Lord, I’m so amazed
For the rest of my life, I’ll be giving You praise

TONIO’s audiences have taken notice of his bold lyrics, authentic energy, and heart for ministry.

Neva Ford Nation "Back to the Ways of God" art work

“Back to the Ways of God” – Neva Ford Nation

“Back to the Ways of God”
Neva Ford Nation
Bdm/Ugroove Music (2025)
www.nevafordnations.com

By Libra Boyd, Editor in Chief

Neva Ford Nation "Back to the Ways of God" art work

Neva Ford Nation’s single, “Back to the Ways of God,” comes with the urgency of breaking news. The uptempo track, produced by Glenn “Gp” Piper and Shelia Moore-Piper, carries a clear and uncompromising message: in light of the condition of our society, we must return to God’s ways.

Nation delivers the song’s admonition in an uncomplicated fashion, which makes the message all the more direct and impactful. 

With “Back to the Ways of God,” Neva Ford Nation offers not just a song, but a charge for listeners everywhere.

NEWS

Jeffrey Newberry Celebration of Life announcement

R.I.H. Jeffrey Newberry, Sr., of The Gospel Keynotes

By Libra Boyd, Editor in Chief

Rise Again vinyl LP cover (1980). Jeffrey Newberry is pictured at the top center of the album artwork.
Rise Again vinyl LP cover (1980). Jeffrey Newberry is pictured at the top center of the album artwork.

GMF joins the gospel music community in mourning the passing of Jeffrey Newberry, Sr., who transitioned December 14, 2025. He was 69.

Newberry joined the Gospel Keynotes in the late 1970s under the leadership of the late Willie Neal Johnson, the group’s organizer and frontman. His bass-baritone voice and charisma were featured on several of the group’s popular songs, including “Rise Again,” “Hold On (Just A Little While Longer),” and “Ain’t No Stopping Us Now,” the title song of their Grammy-nominated album.

At the time of his passing, Newberry was carrying the torch with his eponymous group, Jeffrey Newberry & The Keynotes.

A Celebration of Life service took place Saturday, December 20th, at Lighthouse Worship Center in Fort Lauderdale, FL. Present and past members of the Keynotes, along with Newberry’s grandchildren and son, Jeffrey Newberry, Jr., were among those who rendered musical tributes during the nearly three-hour service. Former Keynote Larry McCowin shared lively reflections and presented a resolution to the family on behalf of the group.

In tribute to his father, Jamaque Newberry emotionally described him as “a presence like no other” with “a voice like velvet,” who “sparked us with a light in all of us to be the best that we can be.”

GMF extends sincere condolences to the entire Newberry family.

2026 Grammy nominee CeCe ft. Shirley Caesar (album art)

2026 GRAMMY Nominees in Gospel/CCM

Nominees for the 2026 GRAMMYs were announced on November 7, and below are artists who received nominations in the Gospel & Contemporary Christian Music categories.

Best Gospel Performance/Song

Do It Again
Kirk Franklin; Kirk Franklin, songwriter

Church
Tasha Cobbs Leonard, John Legend; Anthony S. Brown, Brunes Charles, Annatoria Chitapa, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Jonas Myrin, songwriters

Still — Live
Jonathan McReynolds & Jamal Roberts; Britney Delagraentiss, Jonathan McReynolds, David Lamar Outing II, Orlando Joel Palmer & Terrell Demetrius Wilson, songwriters

Amen
Pastor Mike Jr.; Adia Andrews, Michael McClure Jr., David Lamar Outing II & Terrell Anthony Pettus, songwriters

Come Jesus Come
CeCe Winans Featuring Shirley Caesar

Best Contemporary Christian Music Performance/Song

I Know A Name
Elevation Worship, Chris Brown, Brandon Lake; Hank Bentley, Steven Furtick, Brandon Lake & Jacob Sooter, songwriters

YOUR WAY’S BETTER
Forrest Frank; Forrest Frank & Pera, songwriters

Hard Fought Hallelujah
Brandon Lake With Jelly Roll; Chris Brown, Jason Bradley Deford, Steven Furtick, Benjamin William Hastings & Brandon Lake, songwriters

Headphones
Lecrae, Killer Mike, T.I.; Bongo ByTheWay, Clifford Harris, William Roderick Miller, Lecrae Moore, Michael Render & Tyshane Thompson, songwriters

Amazing
Darrel Walls, PJ Morton; PJ Morton & Darrel Walls,songwriters

Best Gospel Album

Sunny Days
Yolanda Adams

Tasha
Tasha Cobbs Leonard

Live Breathe Fight
Tamela Mann

Only On The Road Live
Tye Tribbett

Heart Of Mine
Darrel Walls, PJ Morton

Best Contemporary Christian Music Album

CHILD OF GOD II
Forrest Frank

Coritos Vol. 1
Israel & New Breed

King Of Hearts
Brandon Lake

Reconstruction
Lecrae

Let The Church Sing
Tauren Wells

Best Roots Gospel Album

I Will Not Be Moved — Live
The Brooklyn Tabernacle Choir

Then Came The Morning
Gaither Vocal Band

Praise & Worship: More Than A Hollow Hallelujah
The Isaacs

Good Answers
Karen Peck & New River

Back To My Roots
Candi Staton

See the full list of nominees in all categories here. The GRAMMYs are set for Sunday, February 1, 2026, and will broadcast live on CBS and stream live and on demand on Paramount+.

INTERVIEWS

Aaron Cole (Photo Credit: Cedrick Jones)

Aaron Cole on music, ministry & fatherhood

Aaron Cole (Photo by Cedrick Jones)

At just 25 years old, Aaron Cole has already carved out a path for himself in Christian hip-hop. From his beginnings in Bristol, VA, where he got his musical start at age four, to being signed by TobyMac as a teenager, Cole’s résumé includes scoring three #1 singles and making history as the first Christian hip-hop artist to win the Dove Award for New Artist of the Year. Now based in Nashville and with two Dove Awards under his belt and a Stellar Award nomination, Cole has entered a profoundly personal chapter of his artistic journey.

The release of his third album, Sorry, I Changed, and its deluxe edition showcased Cole’s ability to bridge generations through collaborations with industry greats Kirk Franklin and Kierra Sheard. Now, his three-song bundle OMARI—featuring Tauren Wells on “One Reason”—marks more than just another musical milestone. It represents a season of deep personal transformation. Becoming a first-time father to his son Omari in late October has infused his music with new depth and vulnerability. In this candid Q&A with GMF Editor-in-Chief Libra Boyd, he opens up about fatherhood, faith, and the beautiful, unexpected ways life continues to reshape his artistry.

Libra: Congratulations to you and your wife on the birth of your son, Omari!

It is apparent to me that becoming a father to Omari has profoundly influenced your recent music. How has preparing for and welcoming your son transformed your songwriting as well as your perspective on faith, creativity, and purpose?

Aaron: I feel like I’ve changed so much in the past few months. However, having Omari has made music honestly even more fun. It’s made me think about my legacy more and consider the things I’m saying even more because one day, when I’m long gone, he’s going to have my discography to listen to and learn things about me that he might not have even known. So I like to share more stories, and I like to think about how my music is impacting the listener even more now—whether it’s joy, relatability, praise, worship, or whatever it may be. It feels like a fresh wind.

Libra: Reflecting on your journey from a 4 year-old to a present-day 25 year-old Dove Award winner with three #1 singles, talk about how your understanding of music as a form of personal expression and ministry has evolved from then to now.

Aaron: When I was just starting, I feel like all I cared about was reaching people’s hearts for God. As you start to grow and become successful, something I learned is that it gets hard to keep going because of all the pressure that comes with success. Sales, elevation, and growth become factors, when at first all you cared about was reaching people and making great music. What I try to do is get back to the younger me every time I make a new project. It gets hard, but you’ve got to remember why you do what you do, and that’s what keeps the joy and the love for the art and the people in it.

Libra: Your collaboration with artists like Kirk Franklin and Kierra Sheard suggests a deep respect for musical legacy. Who are the artists—within and outside of Christian hip-hop—that have most notably shaped your artistic voice and spiritual path?

Aaron: For sure. Those were dreams that came true for me. I grew up listening to both of their music. I feel like they, along with Mali Music, Da’ T.R.U.T.H., Tye Tribbett, and I’m sure a few others, have shaped me on this journey. Tye is probably the only one I grew up listening to that I haven’t worked with yet, so I’m looking forward to that happening one day. It’s a blessing to work with people you’ve admired throughout your life journey.

Libra: The title of your third album, Sorry, I Changed, feels like a powerful statement about personal growth. We’d love to hear about the specific experiences or moments that inspired you to create it.

Aaron: The whole concept is that real life changes you, God changes you, life changes you. A lot of the songs talk about the struggles of life and the things we go through, and some of the songs reflect the hopeful side of things—how we have faith because of God that we’re going to make it through the challenges we face in our everyday lives. When you change and the people around you feel that change, you sometimes actually feel remorse. The Bible talks about change all the time—fishermen becoming fishers of men, being transformed by the renewing of your mind—and if God wasn’t changing us and taking us somewhere, we wouldn’t need a lamp unto our feet and a light unto our path.

Ultimately, it’s also the gospel, because when you meet God, your life changes completely. And last but not least, when I made Sorry, I Changed, there were just so many changes in my life. It was my first year married, my first year on a new label—a lot of things had actually changed in my life. So I just feel like the title is so fitting for the season I’m in right now.

Libra: Christian hip-hop often navigates complex spaces between artistic authenticity and spiritual messaging. How do you approach creating music that feels genuine to both your artistic vision and your faith?

Aaron: I think, for me, it’s just about being honest. I’m honest about my struggles, I’m honest about my wins, and I’m also honest about my relationship with God. I think being honest about my journey with God helps me navigate the complex things I have to handle when making music.

Libra: Your music seems to bridge generational and genre gapsworking with established artists while bringing a fresh perspective to Christian hip-hop. What do you see as the most exciting opportunities and challenges for your generation of artists?

Aaron: I think the most exciting thing is being able to present God to my generation and others in a new way. I feel like it’s amazing that being honest about my struggles and my relationship with God can inspire someone else on their journey. The challenges, I feel, definitely come from the industry and the standards of what it actually means to make music for God. It feels like I’m breaking barriers every day in this genre. So I’m looking forward to seeing how the sacrifices affect the genre and impact the culture.

OMARI cover art
OMARI Cover Art

Libra: OMARI is your new, deeply personal three-song project—it’s named after your son. Beyond the music, what are the life lessons you hope to eventually share with Omari about faith and finding one’s path?

Aaron: I’m honestly just super excited to walk with him on his journey through life, whatever it may be. It’s going to be exciting to see what he gravitates toward and becomes passionate about. I just want to share with him that anything is possible with God and hard work and that being patient and operating in God’s peace in any circumstance will go a long way.

Libra: If your musical journey to date could tell a story to listeners, what narrative would you want them to hearand how does the OMARI project represent the next chapter of that unfolding story?

Aaron: I say this all the time, but I want people to be inspired in every way when they listen to my music. I make music for everyone with a dream like me—sitting in class, sitting at work, wishing your dream would come true. People said you’d never be anything because of your circumstances, where you’re from, etc. But God says something different about us, and God has a plan for all His children.

Image of Melvin Crispell, III - Photo Credit Chris Cavanaugh

A Conversation with Melvin Crispell, III: ‘There is no failure in God’

By Libra Boyd
Gospel Music Fever

Image of Melvin Crispell, III. Photo credit by Chris Cavanaugh.

Melvin Crispell, III has emerged in gospel music as a Grammy-nominated singer, songwriter, and producer with fervor that resonates with the soul. 

Since winning the ninth season of BET’s Sunday Best in 2019, the 26 year-old’s musical journey has been one in which faith, resilience, and the joy of ministry intertwine. His late parents, Melvin Crispell, Jr. and Tunesha Crispell, were celebrated in the gospel industry as a composer and singer, respectively. His father worked with James Hall & Worship and Praise and wrote for Bishop Hezekiah Walker, among others. His mother was a lead vocalist with James Hall and a solo artist. Their only child was just a teenager when they passed less than two years apart. Crispell’s Sunday Best win became an instant springboard, launching him into a music career his beloved parents didn’t live to see, but are very much a part of. We delve into that later.

June marked the release of Crispell’s sophomore full-length project, No Failure, recorded live at Springhill Church in Garland, TX. The album’s first single, “Alright,” was nominated for a GMA Dove Award and the second single from the project, “God Is,” is up for a Grammy for Best Gospel Performance/Song. No Failure also gives the singer-songwriter his first executive producer credit alongside a team that includes producer D. Jamel Kimbrough, music director Elijah Goodwin, and contributions from KJ Scriven, Trinity Anderson, and Maverick City Music’s Chandler Moore.

GMF talked with Crispell by phone about No Failure as well as the passion and unwavering faith that define his gospel journey.

Let me start by congratulating you on your current Grammy nomination for “God Is.” This is your second Grammy nod. How does it feel to be recognized among your peers at that level?

It’s an unexplainable feeling to be able to be recognized on that level amongst so many other legends that are in the gospel music industry and in the secular world. Just to be recognized amongst everyone means the world to me and I still can’t believe it sometimes. 

“God Is” is from your project, No Failure, which is your second full-length album. 

Yes. My second album and my first live album. 

Melvin Crispell, III No Failure art work

Tell us about it and the growth you’ve seen in your musical journey between your first album (I’ve Got A Testimony) and this one. 

Yeah, so I really got to put my heart and soul into this one. And I got the opportunity to be an executive producer for this album. With that came a lot of hard work. I really got to see what all goes into when these artists would do live recordings. There are so many different moving parts to putting something together, and I really got to put my hands into the fire with this. I really spent a lot of long nights trying to figure things out, making sure things were right. Not striving for perfection, but for excellence. It was an amazing experience. And though it was a lot of hard work, it’s something that I definitely want to do again because I want to see how I can challenge myself to even do even more than what I’m doing now.

So No Failure is especially meaningful for you. (Smile)

This album is so special to me! Even the more being able to just be vulnerable with people and to create from my heart, and I can’t wait for the opportunity to do another album. Of course, I said that I did not want to do a live album at first. Now that I’ve done this one, I said, yeah, we need to do another one. I feel that we need to do another one. So it’s definitely an amazing experience and one that I won’t forget.

And the theme of No Failure revolves around the idea that there’s no failure in God, yes?

Absolutely.

What inspired you to bring this forward as the theme?

The inspiration behind that is while we were coming up with songs—we were trying to find two, and of course, we didn’t have the album title yet—God literally dropped two songs into my remembrance: “Here,” which is the first song on the album, and the title track, “No Failure.” And both of those songs were written in a writing session that was done by my church, Life Center Fellowship (in Charlotte) mere days before we had to be locked down for the pandemic. And so of course those songs were going to be recorded by my church; but due to the pandemic, we never got to record them and they were just sitting. And so God brought them back to my remembrance, and when we reviewed them and talked them over with the team, it all started flooding in like crazy like, this is the message that you want to relay to people on the Source of this whole album. 

And if you look at every song on this album, you can trace all of the stories back to the fact that there is no failure in God. We have to continue to trust in His plan because He hasn’t failed us yet. Things are not always the way that we want them to be, and we don’t have everything that we want, but God has given us everything that we need and he’s always taken care of us. 

Such an important message, especially coming out of the COVID pandemic. And to think that the songs were written just before the pandemic lockdown. 

Yes. Days prior.  

You know, it was just four years ago that you won Sunday Best. You’ve accomplished a lot in these few years. That experience had to have impacted you in ways you still reflect on.

That experience was unforgettable for me. It shaped my career in a way that’s given me confidence because I didn’t think I was qualified or even good enough to even make it past an audition for that show. That was just a mindset that I was in. It couldn’t be me to win something that big. And then when I got the call to be a part, I couldn’t believe it. And then from the moment I left my hometown, God had literally lined everything up in place.

Wait. You were not confident you would make the cut? That’s mind-boggling to me. How did you wind up auditioning? 

Sunday Best had been on hiatus. I had seen on social media that it was coming back for the ninth season, and I just kind of kept scrolling past it because, well, I used to want to [be a contestant on Sunday Best] when I was younger, but my parents would shun the very thought of it. (Laughs) I guess it’s because they were a part of the industry and they knew all it entailed, so they didn’t really want me to get thrown into it; so I kind of stopped watching it. I didn’t want to get my hopes up, as any kid would. But the show finally came [off hiatus] and a family member called me three times within a span of two weeks and said, “Hey, you need to audition for this show.” And then another family member came to me and said, “What have you got to lose? Just try.”  

It’s so interesting to hear that was your mindset because many of us who were sitting at home watching, the minute we saw you at the auditions, we were like, “Oh, he is going to win it.” It was a no-brainer for us.

You mentioned your parents, the late Melvin and Tunesha Crispell, and their industry presence. My gosh, they were celebrated figures in the gospel industry. And what I think is really precious is your intentionality about honoring their legacy in your music. What influence do you feel they continue to have on what you do? 

Yeah, it is definitely an honor to carry their legacy, and their legacy was not just music, but a legacy of love and spreading the gospel of Jesus Christ to people through music and whatever other means it may have been. And so that’s what I love to keep alive, even though they’re not here any longer. Of course, you have your moments where you feel like you could be living in their shadow, but I just feel like I didn’t have enough time with them to where I could actually say that because they were my world and I was so always inspired. Even as a young child, I was always inspired watching them do what they did, whether it was apart or whether it was together. And saying that, I mean that there were so many different avenues that they took to do what they did. It inspired me to say, there’s not just one way to do this, and you don’t have to do it just one way. There’s so much music they have that hasn’t even been released and I used to be a part of that music. That music was in my blood. I used to hear it going to sleep and waking up in the morning and all that stuff. That stuff was always on my mind and on my heart. 

And so now that they’re gone … why not carry their legacy and carry that piece of me with me because it’s a part of who I am. I keep them close to my heart. 

On your first album, you remade your dad’s composition, “Wonderful Is Your Name.” It shot to the top of the Billboard Gospel chart and got you Grammy and Dove nominations. It was a bop when Bishop Walker and the Love Fellowship Crusade Choir recorded it in the late ‘90s, and you elevated it when you recorded it two decades later. Now, on No Failure, you’ve remade “Jesus Is My Help,” another of your dad’s compositions that Bishop Walker and Love Fellowship popularized. 

It was an incredible feeling. I wish they were here to see all that God is doing. Even with my mom, there’s music of hers that hasn’t been heard yet—well, at least from me—which will be coming soon.

Say more about that!

Well, there is new music coming sooner than you think! And I got some other things down the pipeline where I kind of venture out and do more than just music. So I’m excited about that. I don’t want to share too much! But yeah, it’s a lot of things happening for me and I’m just grateful to God for what He’s doing. Life is amazing right now.

I’m grateful for you guys and your love and support. It means the world. I ask that you pray to Jesus for me in the coming years, that He just gives me grace and longevity and strength. And I’ll do my best to create even more for you guys to inspire you and to give you hope, and to give you joy [so] that you feel loved and special. And I just thank you guys so much.

No Failure is available on all major digital platforms.

IN MEMORIAM

Homegoing details for Sara Jordan Powell

Sara Jordan Powell (1938-2025)

Homegoing service information for Sara Jordan Powell

Gospel Music Fever joins countless others in extending condolences on the passing of Ms. Sara Jordan Powell, who passed last week at age 87.

Ms. Powell’s Homegoing Celebration will take place on Saturday, December 6, 2025, at Monument of Faith Evangelistic Church in Chicago. The wake is scheduled from 10 AM to 11 AM, with the service immediately following.

Please read more about her life and music ministry from our friend Bob Marovich at the Journal of Gospel Music: RIP: Gospel Singer Sara Jordan Powell.

Homegoing service flyer for Dr. Delores Cain

R.I.P. Rev. Dr. Delores James-Cain of Florida Mass Choir

Homegoing service details

The life and legacy of Rev. Dr. Delores James-Cain will be remembered with services in Lutz and Tampa, Florida this weekend. The pastor and gospel singer passed November 16th, at the age of 71.

Public viewing and visitation will be held Friday, November 28, from 12 noon to 7 PM at Heritage Christian Community Baptist Church, where Rev. Dr. James-Cain was organizer and pastor. A private service for church members and family will follow at 7 PM.

A second public viewing will take place Saturday, November 29, at 9 AM, with the Celebration of Life Service beginning at 10 AM at Bible-Based Fellowship Church in Tampa. The service will be led by Anthony White, Lead Pastor, with Pastor Floyd D. James, Sr. serving as eulogist. Interment will be at Trinity Memorial Gardens, 12609 Memorial Drive.

In the gospel music community, Rev. Dr. James-Cain was a noted soloist, directress, and workshop facilitator. Her recordings with Florida Mass Choir brought us classics like “Jesus Is the Light,” “Be Ye Steadfast,” and “Send Your Power.”

The GMF community sends up prayers for Rev. Dr. James-Cain’s family, church family, friends, and supporters.

Bishop Christopher Brinson, Sr.

Services announced for Bishop Christopher Brinson, Sr. (1964-2025)

GMF joins the gospel music community in mourning the passing of Bishop Christopher Brinson, Sr., who transitioned November 13, 2025. He was 61.

In the 1990s, Bishop Brinson & The Ensemble’s “What If God Is Unhappy?” filled airwaves and churches while posing a poignant question.

Bishop Brinson served as executive board member and Bishop of Protocol of Visionaries In Covenant, Inc.

Homegoing services begin with a Legacy Musical Concert on Friday, December 5, at 7 PM, hosted at Phillips Chapel Baptist Church, 132 E. Glenn Avenue, Winston-Salem, NC 27105.

A Celebration of Life follows on Saturday, December 6, at 12 PM at Emmanuel Baptist Church, 1075 Shalimar Drive, Winston-Salem, NC 27107, with viewing from 11 AM to 12 PM.

Our condolences are extended to his family, friends, and co-laborers in the gospel.

Rev. Dr. Thomas L. Walker

Services announced for Rev. Dr. Thomas L. Walker, pastor and gospel singer

Rev. Dr. Thomas L. Walker

GMF extends heartfelt condolences on the passing of Rev. Dr. Thomas L. Walker, who passed September 14, 2025, at the age of 77.

For more than 50 years, Walker faithfully served as pastor of Ebenezer Baptist Church in Rocky Mount. Within the gospel music community, he was best known for his cover of “One Day at a Time,” written by Marijohn Wilkin and Kris Kristofferson. His 1970s recording of the song with the T.L.W. Ensemble brought him wide recognition, and he revisited it decades later in 2010 with his group, Thomas L. Walker & Totally Committed, on the Keep Me In Your Will project.

According to H.D. Pope Funeral Home, services celebrating Rev. Dr. Walker’s life and legacy will be held in Rocky Mount as follows:

Friday, September 26, 2025
Meet & Greet

5 PM – 7 PM
The Assembly@9121
9121 West Mount Drive, Rocky Mount, NC

Saturday, September 27, 2025
Lying in State

10 AM – 12 Noon
The Rocky Mount Event Center
285 NE Main Street, Rocky Mount, NC

Saturday, September 27, 2025
Celebration of Life

12 Noon
The Rocky Mount Event Center
285 NE Main Street, Rocky Mount, NC

Interment will follow in the Buster and Bonnie Family Garden in Nashville, NC.