REVIEWS

Mighty Golden Wonders

“He’ll Make It Alright” – The Mighty Golden Wonders

“He’ll Make It Alright”
The Mighty Golden Wonders
From the project, He’ll Make It Alright (2024)
facebook.com/themightygoldenwonders

By Libra Boyd, Editor in Chief

Mighty Golden Wonder cd cover art

The Mighty Golden Wonders don’t waste any time getting their message across. In under three minutes, they urge listeners in the title track of their CD to trust God and in due time, “He’ll Make It Alright.”

The recording itself has an organic feel — like being allowed to listen in while the Mighty Golden Wonders take us to church from a garage off a winding dirt road in Mississippi, except that the group’s origins date back 48 years to Warren, OH. This unpolished sound is punctuated by the song’s simple structure and Frankie Yates’ gritty lead along with the background singers’ understated yet harmonic vocals. In a time when much of today’s Black gospel quartet music is cluttered with over-produced arrangements that bands would never replicate in a live set, the musical accompaniment here is stripped down to just bass, lead guitar, a drum kit, and occasional keys. 

“He’ll Make It Alright” evokes nostalgia for the “good old days” of the subgenre, when simplicity and message took center stage. Having celebrated nearly five decades of singing and traveling this year, I feel certain The Mighty Golden Wonders know a thing or two about those days.

Faithful of Milton, NC cover art for Walk On Walker

“Walk On Walker” – Faithful of Milton, NC

“Walk On Walker”
Faithful (October 2023)
Facebook: Faithful of Milton, NC

Faithful of Milton, NC cover art  Walk On Walker

By Libra Boyd
Gospel Music Fever

Milton, North Carolina’s Faithful delivers a compelling message in their single “Walk On Walker,” produced by Antwon Timmons of Perfect Peace Music. Lead vocalist Danny Stewart encourages listeners to rise above negativity and gossip, drawing parallels to the unwarranted criticism faced by Jesus Christ.

While Faithful is rooted in traditional gospel, they could stride confidently down to a blues or soul festival with the music and message of “Walk On Walker” and leave a memorable impression.

NEWS

PJ Morton is pictured with fans at his book signing in Nashville.

PJ Morton celebrates release of ‘Saturday Night, Sunday Morning’ memoir

Career-Spanning Memoir Embraces Independence, Defying Expectations & Straddling
The Fences of R&B and Gospel Music, Faith, Race & Culture 
 

PJ Morton is pictured with fans at his book signing in Nashville. (From Media Release)

GRAMMY® winning singer and producer, PJ Morton, has published his inspiring and life-spanning new book, Saturday Night, Sunday Morning, via Worthy Publishing, an imprint of Hachette Book Group. Aside from recent TV appearances on the Tamron Hall Show and CBS Mornings, Morton held book signing events in his native New Orleans, Nashville, New York City, and at his alma mater, Morehouse College, in Atlanta. 

The memoir finds the 5x GRAMMY®-winner recounting and reflecting on a journey that continues to defy expectations and straddle the fences of music and faith, race and culture, expression and identity. As the son of beloved singing pastors Bishop Paul S. and Pastor Debra B. Morton, PJ Morton grew up grounded by the sound of the Church, but soon found himself drawn to R&B, pop and soul, writing songs that the industry, his family and community struggled to understand. In the face of mounting pressure, rejection and constant miscategorization, he committed himself to a steadfast path of independence: making music on his own terms, launching his own record label, and joining one of the biggest bands in the world (Maroon 5) while staying true to his New Orleans roots. The risks he took paid off, and through his trailblazing transformation from preacher’s kid to the busiest man in showbiz – performing everywhere from his local congregation to the Super Bowl with Maroon 5, collaborating with everyone from his father to Stevie Wonder, Erykah Badu, Jon Batiste and Lil Wayne – PJ Morton hopes to encourage readers and listeners to overcome obstacles as they seek their dreams. 

– From a media release

Brent Jones

Detroit-based megachurch extends Brent Jones’ residency into 2025

Brent Jones

(Los Angeles, CA) Triumph Church, a 35,000-member Detroit-based megachurch with eight campuses and fourteen weekly services, has extended Grammy & Stellar Award-winning artist Brent Jones’ Artist-In-Residence into 2025.

Jones said, “I am such a huge fan of Triumph Church, Pastor Kinloch, Jr., First Lady Robin, and all the great work Triumph has been doing over the years, so what an honor to share my music ministry with the entire Triumph family well into 2025. 

This year has been such an amazing year for my career—back-to-back #1’s on Billboard, 150-City ‘Best Life’ Tour, my historic 4-album ‘Quadruple Release,’  first time touring Asia, etc. To God be the glory for the awesome things He has done!!”

Named the “#1 Fastest Growing Church in America” by Outreach Magazine and the largest black church in the country, Triumph Church was founded in 1920 originally as Triumph Missionary Baptist Church. In 1998, Pastor Solomon Kinloch, Jr. accepted the call to pastor at Triumph.  At the beginning of his tenure, Triumph’s membership was less than 50 people. Under Pastor Kinloch’s visionary leadership, Triumph has now blossomed into a multi-site phenomenon with more than 35,000 members and counting.

INTERVIEWS

Aaron Cole (Photo Credit: Cedrick Jones)

Aaron Cole on music, ministry & fatherhood

Aaron Cole (Photo by Cedrick Jones)

At just 25 years old, Aaron Cole has already carved out a path for himself in Christian hip-hop. From his beginnings in Bristol, VA, where he got his musical start at age four, to being signed by TobyMac as a teenager, Cole’s résumé includes scoring three #1 singles and making history as the first Christian hip-hop artist to win the Dove Award for New Artist of the Year. Now based in Nashville and with two Dove Awards under his belt and a Stellar Award nomination, Cole has entered a profoundly personal chapter of his artistic journey.

The release of his third album, Sorry, I Changed, and its deluxe edition showcased Cole’s ability to bridge generations through collaborations with industry greats Kirk Franklin and Kierra Sheard. Now, his three-song bundle OMARI—featuring Tauren Wells on “One Reason”—marks more than just another musical milestone. It represents a season of deep personal transformation. Becoming a first-time father to his son Omari in late October has infused his music with new depth and vulnerability. In this candid Q&A with GMF Editor-in-Chief Libra Boyd, he opens up about fatherhood, faith, and the beautiful, unexpected ways life continues to reshape his artistry.

Libra: Congratulations to you and your wife on the birth of your son, Omari!

It is apparent to me that becoming a father to Omari has profoundly influenced your recent music. How has preparing for and welcoming your son transformed your songwriting as well as your perspective on faith, creativity, and purpose?

Aaron: I feel like I’ve changed so much in the past few months. However, having Omari has made music honestly even more fun. It’s made me think about my legacy more and consider the things I’m saying even more because one day, when I’m long gone, he’s going to have my discography to listen to and learn things about me that he might not have even known. So I like to share more stories, and I like to think about how my music is impacting the listener even more now—whether it’s joy, relatability, praise, worship, or whatever it may be. It feels like a fresh wind.

Libra: Reflecting on your journey from a 4 year-old to a present-day 25 year-old Dove Award winner with three #1 singles, talk about how your understanding of music as a form of personal expression and ministry has evolved from then to now.

Aaron: When I was just starting, I feel like all I cared about was reaching people’s hearts for God. As you start to grow and become successful, something I learned is that it gets hard to keep going because of all the pressure that comes with success. Sales, elevation, and growth become factors, when at first all you cared about was reaching people and making great music. What I try to do is get back to the younger me every time I make a new project. It gets hard, but you’ve got to remember why you do what you do, and that’s what keeps the joy and the love for the art and the people in it.

Libra: Your collaboration with artists like Kirk Franklin and Kierra Sheard suggests a deep respect for musical legacy. Who are the artists—within and outside of Christian hip-hop—that have most notably shaped your artistic voice and spiritual path?

Aaron: For sure. Those were dreams that came true for me. I grew up listening to both of their music. I feel like they, along with Mali Music, Da’ T.R.U.T.H., Tye Tribbett, and I’m sure a few others, have shaped me on this journey. Tye is probably the only one I grew up listening to that I haven’t worked with yet, so I’m looking forward to that happening one day. It’s a blessing to work with people you’ve admired throughout your life journey.

Libra: The title of your third album, Sorry, I Changed, feels like a powerful statement about personal growth. We’d love to hear about the specific experiences or moments that inspired you to create it.

Aaron: The whole concept is that real life changes you, God changes you, life changes you. A lot of the songs talk about the struggles of life and the things we go through, and some of the songs reflect the hopeful side of things—how we have faith because of God that we’re going to make it through the challenges we face in our everyday lives. When you change and the people around you feel that change, you sometimes actually feel remorse. The Bible talks about change all the time—fishermen becoming fishers of men, being transformed by the renewing of your mind—and if God wasn’t changing us and taking us somewhere, we wouldn’t need a lamp unto our feet and a light unto our path.

Ultimately, it’s also the gospel, because when you meet God, your life changes completely. And last but not least, when I made Sorry, I Changed, there were just so many changes in my life. It was my first year married, my first year on a new label—a lot of things had actually changed in my life. So I just feel like the title is so fitting for the season I’m in right now.

Libra: Christian hip-hop often navigates complex spaces between artistic authenticity and spiritual messaging. How do you approach creating music that feels genuine to both your artistic vision and your faith?

Aaron: I think, for me, it’s just about being honest. I’m honest about my struggles, I’m honest about my wins, and I’m also honest about my relationship with God. I think being honest about my journey with God helps me navigate the complex things I have to handle when making music.

Libra: Your music seems to bridge generational and genre gapsworking with established artists while bringing a fresh perspective to Christian hip-hop. What do you see as the most exciting opportunities and challenges for your generation of artists?

Aaron: I think the most exciting thing is being able to present God to my generation and others in a new way. I feel like it’s amazing that being honest about my struggles and my relationship with God can inspire someone else on their journey. The challenges, I feel, definitely come from the industry and the standards of what it actually means to make music for God. It feels like I’m breaking barriers every day in this genre. So I’m looking forward to seeing how the sacrifices affect the genre and impact the culture.

OMARI cover art
OMARI Cover Art

Libra: OMARI is your new, deeply personal three-song project—it’s named after your son. Beyond the music, what are the life lessons you hope to eventually share with Omari about faith and finding one’s path?

Aaron: I’m honestly just super excited to walk with him on his journey through life, whatever it may be. It’s going to be exciting to see what he gravitates toward and becomes passionate about. I just want to share with him that anything is possible with God and hard work and that being patient and operating in God’s peace in any circumstance will go a long way.

Libra: If your musical journey to date could tell a story to listeners, what narrative would you want them to hearand how does the OMARI project represent the next chapter of that unfolding story?

Aaron: I say this all the time, but I want people to be inspired in every way when they listen to my music. I make music for everyone with a dream like me—sitting in class, sitting at work, wishing your dream would come true. People said you’d never be anything because of your circumstances, where you’re from, etc. But God says something different about us, and God has a plan for all His children.

Image of Melvin Crispell, III - Photo Credit Chris Cavanaugh

A Conversation with Melvin Crispell, III: ‘There is no failure in God’

By Libra Boyd
Gospel Music Fever

Image of Melvin Crispell, III. Photo credit by Chris Cavanaugh.

Melvin Crispell, III has emerged in gospel music as a Grammy-nominated singer, songwriter, and producer with fervor that resonates with the soul. 

Since winning the ninth season of BET’s Sunday Best in 2019, the 26 year-old’s musical journey has been one in which faith, resilience, and the joy of ministry intertwine. His late parents, Melvin Crispell, Jr. and Tunesha Crispell, were celebrated in the gospel industry as a composer and singer, respectively. His father worked with James Hall & Worship and Praise and wrote for Bishop Hezekiah Walker, among others. His mother was a lead vocalist with James Hall and a solo artist. Their only child was just a teenager when they passed less than two years apart. Crispell’s Sunday Best win became an instant springboard, launching him into a music career his beloved parents didn’t live to see, but are very much a part of. We delve into that later.

June marked the release of Crispell’s sophomore full-length project, No Failure, recorded live at Springhill Church in Garland, TX. The album’s first single, “Alright,” was nominated for a GMA Dove Award and the second single from the project, “God Is,” is up for a Grammy for Best Gospel Performance/Song. No Failure also gives the singer-songwriter his first executive producer credit alongside a team that includes producer D. Jamel Kimbrough, music director Elijah Goodwin, and contributions from KJ Scriven, Trinity Anderson, and Maverick City Music’s Chandler Moore.

GMF talked with Crispell by phone about No Failure as well as the passion and unwavering faith that define his gospel journey.

Let me start by congratulating you on your current Grammy nomination for “God Is.” This is your second Grammy nod. How does it feel to be recognized among your peers at that level?

It’s an unexplainable feeling to be able to be recognized on that level amongst so many other legends that are in the gospel music industry and in the secular world. Just to be recognized amongst everyone means the world to me and I still can’t believe it sometimes. 

“God Is” is from your project, No Failure, which is your second full-length album. 

Yes. My second album and my first live album. 

Melvin Crispell, III No Failure art work

Tell us about it and the growth you’ve seen in your musical journey between your first album (I’ve Got A Testimony) and this one. 

Yeah, so I really got to put my heart and soul into this one. And I got the opportunity to be an executive producer for this album. With that came a lot of hard work. I really got to see what all goes into when these artists would do live recordings. There are so many different moving parts to putting something together, and I really got to put my hands into the fire with this. I really spent a lot of long nights trying to figure things out, making sure things were right. Not striving for perfection, but for excellence. It was an amazing experience. And though it was a lot of hard work, it’s something that I definitely want to do again because I want to see how I can challenge myself to even do even more than what I’m doing now.

So No Failure is especially meaningful for you. (Smile)

This album is so special to me! Even the more being able to just be vulnerable with people and to create from my heart, and I can’t wait for the opportunity to do another album. Of course, I said that I did not want to do a live album at first. Now that I’ve done this one, I said, yeah, we need to do another one. I feel that we need to do another one. So it’s definitely an amazing experience and one that I won’t forget.

And the theme of No Failure revolves around the idea that there’s no failure in God, yes?

Absolutely.

What inspired you to bring this forward as the theme?

The inspiration behind that is while we were coming up with songs—we were trying to find two, and of course, we didn’t have the album title yet—God literally dropped two songs into my remembrance: “Here,” which is the first song on the album, and the title track, “No Failure.” And both of those songs were written in a writing session that was done by my church, Life Center Fellowship (in Charlotte) mere days before we had to be locked down for the pandemic. And so of course those songs were going to be recorded by my church; but due to the pandemic, we never got to record them and they were just sitting. And so God brought them back to my remembrance, and when we reviewed them and talked them over with the team, it all started flooding in like crazy like, this is the message that you want to relay to people on the Source of this whole album. 

And if you look at every song on this album, you can trace all of the stories back to the fact that there is no failure in God. We have to continue to trust in His plan because He hasn’t failed us yet. Things are not always the way that we want them to be, and we don’t have everything that we want, but God has given us everything that we need and he’s always taken care of us. 

Such an important message, especially coming out of the COVID pandemic. And to think that the songs were written just before the pandemic lockdown. 

Yes. Days prior.  

You know, it was just four years ago that you won Sunday Best. You’ve accomplished a lot in these few years. That experience had to have impacted you in ways you still reflect on.

That experience was unforgettable for me. It shaped my career in a way that’s given me confidence because I didn’t think I was qualified or even good enough to even make it past an audition for that show. That was just a mindset that I was in. It couldn’t be me to win something that big. And then when I got the call to be a part, I couldn’t believe it. And then from the moment I left my hometown, God had literally lined everything up in place.

Wait. You were not confident you would make the cut? That’s mind-boggling to me. How did you wind up auditioning? 

Sunday Best had been on hiatus. I had seen on social media that it was coming back for the ninth season, and I just kind of kept scrolling past it because, well, I used to want to [be a contestant on Sunday Best] when I was younger, but my parents would shun the very thought of it. (Laughs) I guess it’s because they were a part of the industry and they knew all it entailed, so they didn’t really want me to get thrown into it; so I kind of stopped watching it. I didn’t want to get my hopes up, as any kid would. But the show finally came [off hiatus] and a family member called me three times within a span of two weeks and said, “Hey, you need to audition for this show.” And then another family member came to me and said, “What have you got to lose? Just try.”  

It’s so interesting to hear that was your mindset because many of us who were sitting at home watching, the minute we saw you at the auditions, we were like, “Oh, he is going to win it.” It was a no-brainer for us.

You mentioned your parents, the late Melvin and Tunesha Crispell, and their industry presence. My gosh, they were celebrated figures in the gospel industry. And what I think is really precious is your intentionality about honoring their legacy in your music. What influence do you feel they continue to have on what you do? 

Yeah, it is definitely an honor to carry their legacy, and their legacy was not just music, but a legacy of love and spreading the gospel of Jesus Christ to people through music and whatever other means it may have been. And so that’s what I love to keep alive, even though they’re not here any longer. Of course, you have your moments where you feel like you could be living in their shadow, but I just feel like I didn’t have enough time with them to where I could actually say that because they were my world and I was so always inspired. Even as a young child, I was always inspired watching them do what they did, whether it was apart or whether it was together. And saying that, I mean that there were so many different avenues that they took to do what they did. It inspired me to say, there’s not just one way to do this, and you don’t have to do it just one way. There’s so much music they have that hasn’t even been released and I used to be a part of that music. That music was in my blood. I used to hear it going to sleep and waking up in the morning and all that stuff. That stuff was always on my mind and on my heart. 

And so now that they’re gone … why not carry their legacy and carry that piece of me with me because it’s a part of who I am. I keep them close to my heart. 

On your first album, you remade your dad’s composition, “Wonderful Is Your Name.” It shot to the top of the Billboard Gospel chart and got you Grammy and Dove nominations. It was a bop when Bishop Walker and the Love Fellowship Crusade Choir recorded it in the late ‘90s, and you elevated it when you recorded it two decades later. Now, on No Failure, you’ve remade “Jesus Is My Help,” another of your dad’s compositions that Bishop Walker and Love Fellowship popularized. 

It was an incredible feeling. I wish they were here to see all that God is doing. Even with my mom, there’s music of hers that hasn’t been heard yet—well, at least from me—which will be coming soon.

Say more about that!

Well, there is new music coming sooner than you think! And I got some other things down the pipeline where I kind of venture out and do more than just music. So I’m excited about that. I don’t want to share too much! But yeah, it’s a lot of things happening for me and I’m just grateful to God for what He’s doing. Life is amazing right now.

I’m grateful for you guys and your love and support. It means the world. I ask that you pray to Jesus for me in the coming years, that He just gives me grace and longevity and strength. And I’ll do my best to create even more for you guys to inspire you and to give you hope, and to give you joy [so] that you feel loved and special. And I just thank you guys so much.

No Failure is available on all major digital platforms.

IN MEMORIAM

Rodessa Barrett Porter (Photo from the David L. Spearman Library)

Remembering Rodessa Barrett Porter of The Barrett Sisters

By Libra Boyd, Editor in Chief

Rodessa Barrett Porter passed away December 16, 2024. (Photo credit: The David L. Spearman Library)

Rodessa Barrett Porter, beloved soprano of the legendary gospel trio The Barrett Sisters, entered eternal rest Monday, December 16, 2024, just one day after celebrating her 94th birthday. 

Born and raised in Chicago, Rodessa began her musical journey singing in the choir at Morning Star Baptist Church and then serving as a pianist at Mt. Nebo Baptist Church. Around 1950, she joined her older sisters, Delois Barrett Campbell and Billie Barrett GreenBey to form the renowned Barrett Sisters, becoming one of gospel music’s most cherished trios.

Rodessa’s angelic soprano voice complemented her sisters’ rich contralto and mezzo-soprano tones, creating unparalleled harmonies that resonated with local and international audiences and earned them the nickname “The Sweet Sisters of Zion.”

The Barrett Sisters recorded multiple albums and toured extensively, performing throughout the United States and Europe. In 1983 and 1987, they represented the United States as Goodwill Ambassadors in Africa and the South Pacific, respectively. The threesome graced stages with their friends Mahalia Jackson, Albertina Walker, and James Cleveland, appeared on programs with Johnny Carson, Oprah Winfrey, and Patti LaBelle, and are counted among pioneers in gospel music next to Thomas A. Dorsey, Roberta Martin, Theodore Frye, and Sallie Martin. Yet, despite their talent, renown, and accolades, their story remained one of humble service to God and the gospel message in song.

The Barrett Sisters
Clockwise from top left: Rodessa Porter, Billie GreenBey, and Delois Campbell.

Rodessa and her sisters appeared in Say Amen, Somebody, the critically acclaimed documentary that introduced the Barrett Sisters to a new generation. More than 30 years later in 2013, The Sweet Sisters of Zion: Delois Barrett Campbell and the Barrett Sisters provided an intimate and celebratory portrait of their own lives and careers. The documentary film highlighted the trio’s bond—both as siblings and as singers who helped blaze trails in traditional gospel music.

The film’s producer, Regina Rene, shared in a 2013 interview with GMF’s Libra Boyd that the inspiration for the documentary stemmed from Rodessa’s vision. “I found [an] article where Mrs. Rodessa said that she wanted a document of their career and that she had all these videos that someone told her would cost $5,000 to put together.” Following the film’s completion, Boyd collaborated with the Barrett Sisters’ family to lead a crowdfunding campaign to support its release, premiere, and distribution.

After the passings of Delois in 2011 and Billie in 2020, Rodessa carried on their legacy with dignity, remaining a steward of the Barrett Sisters’ indelible mark on gospel music. The sisters’ closeness, admired both on and off stage, was a hallmark of their enduring appeal. In her own way, Rodessa Barrett Porter helped shape an era of gospel music that will be celebrated for generations to come. 

Rest in peace, sweet sister of Zion. Heaven’s choir will have a soprano whose melodies will reverberate through eternity.

R.I.P. Cissy Houston, Grammy-winning gospel great

Cissy Houston died October 7, 2024. She was 91. Her memorial service was held Oct. 17th.

A private, invitation-only memorial service was recently held at Newark’s New Hope Baptist Church for gospel great Cissy Houston who passed October 7, at the age of 91. She was under hospice care for Alzheimer’s disease. Her powerful voice and soulful performances left indelible impressions on the music industry and were passed down to her children, particularly her iconic daughter, Whitney.

Jonathan Landrum, Jr. and Hillel Italie shared more about Cissy’s life and career in their detailed report for The Associated Press. CBS News New York reported highlights from the two-time Grammy-winning artist’s memorial service on October 17th.

With her father Nicholas Drinkard’s encouragement, Emily “Cissy” Drinkard and her siblings began singing as the Drinkard Four. As others were added to the group, the aggregation became the Drinkard Singers. The Drinkard Singers went on to record a live album titled Joyful Noise, which was followed by Cissy’s 1963 solo record This Is My Vow (released under the name Cecily Blair). By year’s end, Cissy had formed The Sweet Inspirations, a lineup that included her nieces Dee Dee and Dionne Warwick as well as Doris Troy. Both Cissy and The Sweet Inspirations recorded projects over the next decade and sang backup for top artists of the day, including Aretha Franklin, Jimi Hendrix, and Elvis Presley. In 1970, Cissy parted ways with the group to devote more time to her family and a solo career. While the tangible rewards for her artistry may be the Grammys she won in the category of Best Traditional Soul Gospel Album for Face to Face and He Leadeth Me in 1997 and 1999, respectively, many contend that her greatest contribution to music was her daughter Whitney. In Whitney’s own words:

My mother taught me how to sing. I had the singing in me, but she taught me how. And she taught me through gospel. And she told me that if I could sing gospel, I could sing anything that I wanted to—because everything is rooted from that music...

Gregory Kelly, Sr.

R.I.P. Gregory Kelly, Sr., formerly of Slim & The Supreme Angels

Gregory Kelly, Sr. passed September 4, 2024.

GMF acknowledges the passing of Gregory Kelly, Sr., gospel singer formerly of Slim and The Supreme Angels. Kelly passed September 4, after a period of health challenges.

A musical tribute and homegoing service took place September 13th and 14th, respectively. Both services were held at Greater New Hope Missionary Baptist Church in Oxford, NC. 

In addition to his tenure with Slim and The Supreme Angels, Kelly fronted his own group, Greg Kelly and Foundation. 

The GMF community continues to send up prayers for Kelly’s family, friends, and supporters.

Rev. Janice Brown-Stephens | Photo Credit: Off The Beaten Path Photography by Tina Dee

R.I.H. Rev. Janice Brown-Stephens, pastor and ‘Rough Side of the Mountain’ singer

Flyer of final arrangements for Rev. Janice Brown-Stephens

GMF was saddened to receive news of the passing of Rev. Janice Brown-Stephens. Brown-Stephens, the youngest of 14 siblings, transitioned on August 30, 2024. She was 80.

Born September 13, in Rocky Mount, NC, the singer, preacher, and pastor became most widely recognized as the singing partner of Bishop F.C. Barnes. Together, they gave us the massive traditional gospel hit, “Rough Side of the Mountain,” along with other favorites like “Uncloudy Day” and “The Lord Will Fix It For Me.”

An excerpt from the NC Music Hall of Fame’s biography of Bishop F.C. Barnes reads,

The Reverend Barnes met The Reverend Janice Brown around 1979 while doing a radio broadcast in Rocky Mount on WSRV. On a reel-to-reel tape recorder, they recorded “It’s Me Again, Lord” for a radio broadcast; the response from listeners was overwhelming so they recorded it in a studio. In addition to “It’s Me Again, Lord,” they recorded “Come On In The Room.” AIR Records executive Wendell Parker heard it and brought it to the attention of Ron Freeman, owner of AIR, the Atlanta International Records, a subsidiary of Malaco Music Group. Freeman offered them a recording contract.

The Reverends Barnes and Brown recorded eight albums; their biggest hit was “Rough Side of the Mountain” which reportedly sold half a million copies and reached number one on the Gospel Chart.

Pastors Monte and Janice Brown-Stephens sang, preached, and pastored together. | Photo Credit: Off The Beaten  Path Photography by Tina Dee
Pastors Monte and Janice Brown-Stephens

Following Brown-Stephens’ departure from the duo in the late 1980s, she left the music industry and became a pastor in a small Jones County, NC town. Two decades later, she reemerged in the industry with a new duet partner, Monte Stephens, a former radio station owner who was the founder and then-president of Freedom Records in Murfreesboro, TN. The partnership began after Stephens’ now-deceased wife Dee heard one of Janice Brown’s recordings, insisted on meeting her, and ultimately invited her to record a project with Monte. Dee produced the new project and even titled it Alive and Well to clap back at Internet misinformation that the gospel singer had died. Unfortunately, Dee herself passed away from cancer before the album’s release. Several months later, Janice and Monte united in marriage and continued their singing and preaching ministry under the name of Ebony and Ivory Ministries.

Brown-Stephens and her husband were the pastors of Full Circle Church of God in Friendsville, TN.

A celebration of life service is scheduled for September 14, at 10 a.m. with a pre-celebration one hour prior. The services will take place at Deeper Life Church Ministries in Goldsboro, NC.

GMF extends condolences to the entire Brown and Stephens family.