Arrangements for Bishop F.C. Barnes have been announced by Glessa Morris, booking manager for Luther Barnes Song Ministries. Barnes passed Monday morning. He was 82. (See related post here.)
“It Was A Great Thing”
Rev. F.C. Barnes & the Red Budd Combined Choir
From the CD, “LIVE” featuring “Rough Side of the Mountain” (1994)
www.malaco.com
Bishop F.C. Barnes transitioned in the early hours of yesterday morning at the age of 82 (see the related post here), but not before leaving a rich legacy to be remembered for years to come.
Bishop Barnes founded Red Budd Holy Church in Rocky Mount in 1959. This week’s pick, “It Was A Great Thing,” features him with the Red Budd Combined Choir.
Thank you, Bishop Barnes, for reminding us of the mercy of Jesus Christ. Yes, it was a great thing that He did for us!
GMF is sad to report that Bishop Faircloth Barnes passed early this morning.
Bishop F.C. Barnes was the founder of Red Budd Holy Church in Rocky Mount, NC. He is most recognized, however, for his rise to gospel music fame in 1983 with the blockbuster hit, “Rough Side of the Mountain,” recorded with Rev. Janice Brown.
Singing was seemingly always a family affair for the bishop. Through the years, in addition to his own group, Bishop F.C. Barnes and Company (his nieces), Bishop Barnes was featured on projects with Luther Barnes, his son; The Sunset Jubilaires, his brothers; and the Red Budd Gospel Choir, which consists of his granddaughter, nieces, and other family and friends. His sons Samuel, Melvin, and Tony were musicians on several of the recordings.
Recently, Bishop Barnes appeared on Darrell Luster’s (God is God) He Won’t Change album, putting his signature down home flavor on the title cut.
Please keep the entire Barnes family as well as the church family in your thoughts and prayers.
GMF will post arrangements as information becomes available. Update: Arrangements have been announced. Click here for service times.
“Peace in the Valley”
Raymond Silver
From the CD, Use Me (2010)
http://raymondsilverproductions.com
“Peace in the Valley” is a timeless hymn that has been covered by the likes of Mahalia Jackson (for whom it was written), Red Foley, Pat Boone, Dolly Parton, Randy Travis, Loretta Lynn, Take 6, The Soul Stirrers, Elvis Presley, and no less than a score of others.
Now you can add Raymond Silver to the roster.
On his current CD, Use Me, the multi-talented Silver delivers his own interpretation of the Thomas Dorsey classic. Silver’s arrangement is faster, but he handles the traditional gem with care, as if the composer is within earshot. Most of Silver’s liberties are taken in the vamp (the repeated phrase “in the valley”) as he chronicles all the glooms he’ll abandon and joys he’ll embrace upon entering into eternal peace.
Hearing this version of “Peace in the Valley” 70-plus years after it was written, I think Rev. Dorsey would be pleased.
“When the Saints Go Marching In”
Louis Armstrong
From the CD, Hallelujah!: Gospel 1930-1941 (2002)
Frémeaux & Associés
Louis Armstrong frequently said his birthday was July 4, 1900. In the mid 1980’s–many years after his death in 1971–baptismal records revealed his true birthdate was in fact August 4, 1901.
In honor of the iconic jazz trumpeter’s unofficial birthday and in celebration of his contributions to American music, my pick this week is Satchmo’s version of the gospel classic turned jazz standard, “When the Saints Go Marching In,” from the CD compilation Hallelujah!: Gospel 1930-1941.
“Resurface”
SkyWay Rec
From the upcoming CD, Resurface (Available August 20, 2011)
www.skywayrec.com
The hook is, “I’ve been hard at work (work) / Watch me resurface.” It’s more than just the hook for his brand new single “Resurface” though. The work that Christian artist SkyWay Rec raps about is one that began with singing and playing and has grown into a ministry relevant to his generation. Even his stage name bespeaks that, which SkyWay Rec explains.
“When I write, sing, rap or produce, I am in the clouds colliding with God in the spirit! [The name] is the meaning of me and God connecting in the spirit to bring forth what He is saying to the world; hence the name SkyWay Rec. It’s the best ‘wreck’ anyone could ever have!”
“Resurface” is performed alongside slick beats and production with a message that’s hip and hopeful, telling of a renewed sense of purpose. SkyWay Rec’s purpose, of course, is to change lives, break strongholds, and rep the Father.
Resurface, the full-length CD, drops August 20th.
“Put It On the Altar”
Jessica Reedy
From the upcoming CD, From the Heart (Available Sept. 27, 2011)
http://www.lightrecords.com
I learned two things about Jessica Reedy while watching Sunday Best. First and foremost, the girl can sing; after all, she snagged the runner-up spot amid hefty competition. Secondly, the sister can arrange; surely, you remember her version of the Williams Brothers’ “I’m Still Here” and her infusion of neo-soul into both the lead and harmony vocals.
Hark! Reedy has revealed another fact to her fans: she is a pretty good songwriter. Along with Tony and Nakeia Homer, Reedy has penned “Put It On the Altar,” the second single from her forthcoming debut project, From the Heart.
“Put It On the Altar” is uplifting with a feel-good vibe that we haven’t heard a lot in Reedy’s musical selections so far. The music itself is both fun and nostalgic; crisp horns, a warm electric guitar, block piano chords, and the 2-5-1 turnaround channel Motown circa 1970.
Reedy’s syncopated delivery and signature low register, which magnetized thousands of Sunday Best viewers in season two, are sure to have “Put It On the Altar” heating up radio throughout the summer.
“Like A Ship”
Maggie Ingram & The Ingramettes
From the vinyl LP, The Miami Riot (1987)
AIR Records
I grew up listening to and enjoying Maggie Ingram and the Ingramettes. So, I guess it sounds just a little bit odd to say that I attended my first Maggie Ingram concert by accident; but I did.
Yep, it was one summer about nine years ago, and our men’s choir had been invited to a musical at Rogers Grove Church International in Durham. That afternoon, the choir and I arrived to find that we were among many groups and choirs also scheduled to perform. I must confess that I was not at all interested in spending my entire Sunday evening at church, and after our choir sang, I was ready to leave. Because I felt badly about wanting to bounce immediately afterward though, I stayed a little longer in support of the other singers and musicians.
After an eternity, which was really only a few groups later, I decided it was time to go. (There’s only so much “Did’ya, did’ya, did’ya get that power?!” I can take at these quartet-styled musicals.) With one hand on my gig bag and the other on my head, I scurried down the aisle. Just as I got to the exit, I heard, “Maggie Ingram and the I-i-i-i-ngra-a-a-m-ettes” roar from the emcee’s mouth. I stopped in my tracks, spun around and said, “Wha-?! Maggie Ingram is here?! Not ‘Richmond, Virginia Flood’ Maggie Ingram?!”
Yes, “Richmond, Virginia Flood” Maggie Ingram. I couldn’t get back to my original seat, up front, fast enough; I scurried back up the aisle as quickly as I had scurried down seconds earlier. This was a lady whose songs–“Like A Ship,” and her older cuts “When Jesus Comes,” and “Got A Mind to Serve the Lord”–blared nearly every Sunday morning on my Smurf novelty transistor radio.
Well let me tell you, despite disobedient mics and a half-filled sanctuary, the statuesque COGIC evangelist and her family wrecked the house–even treating the congregation to a portion of “Richmond, Virginia Flood,” climaxed by the hard-driving “Nobody’s Fault But Mine.”
Maggie Ingram and the Ingramettes are still going strong after more than five decades (even longer for the GMWA Lifetime Achievement Award recipient herself). My pick this week is “Like A Ship” from the group’s most successful album, The Miami Riot, which reached #33 on the Billboard gospel music chart in 1988.
Tre Cosmos
SuperNova
The word “Cosmos” may sound like a space term, but according to the bio of Tre Cosmos, “in its original Greek form, the word meant divine order, purpose, and all creation. The people in those times who believed that there was an all-powerful being who created the Heavens and the Earth in its divine order believed in the Cosmos.” Tre Cosmos believes that everything and everyone has a purpose and that God created it to be exactly what it is now.
In late 2009, the multi-talented singer, writer, rapper, and producer rededicated his life (and gift) to Christ and decided to only make music that glorifies Him. At that time Tre Cosmos fully emerged, not just musically, but as a whole new way of living.
The self-proclaimed Christian Indie-Alternative Hip-Hop artist rightfully entitled his debut album SuperNova, released under his indie label CosMuzik. All songs were written, performed, composed, and produced by Tre Cosmos. Recorded at Spotlight Music Studios by Aaron Walker, SuperNova features elements such as acoustic pop, electro hip hop and techno, urban crossover and R&B, neo-soul, virtual orchestra, spoken word, alternative rock, and, well, genres not yet known to man.
One standout on the 12-track project is the melodic, fast moving “Dancing in Heaven” and its contrastingly slow string-laced musical postlude that turns the song into something beautifully angelic. Other notables include the acoustic guitar driven “Hello World” and “It’s Crazy,” which showcases Tre Cosmos’ talent as both a singer and a rapper.
Tre Cosmos doesn’t want to be put in a box. I don’t think he has that to worry about; what on earth, or in heaven, can contain a supernova?
Favorite
“Hello World”
Fever Meter
SIMMERIN’ (3 of 5 Stars)