“Fly Again” – Sounds of Blackness

“Fly Again”
Sounds of Blackness
From the upcoming CD, The Sounds of Blackness (Fall 2011)
www.malaco.com

Sounds of Blackness was recently signed with Malaco Music Group (see related post here), and the choir is already set with its debut single “Fly Again” from its forthcoming self-titled CD.

“Fly Again” features Jamecia Bennett, daughter of longtime Sounds of Blackness powerhouse Ann Nesby and mother of American Idol Season 5 sensation Paris Bennett.

The apple doesn’t fall far from the tree, and like her mother, Jamecia Bennett delivers a signature sound of soulful singing, colorful phrasing, and stirring ad libs on this midtempo inspirational track, all alongside the choir’s staccato vocals which soar to their summit with, “Just hold on and be strong / You hold the key to your victory / Keep your head up to the sky / You’re gonna fly / You’re gonna fly!”

According to Gary Hines, the group’s music director and producer, the single is dedicated to Malaco and to people across the country and world “who have recently suffered unfathomable devastation. Together we will all soon be able to ‘fly again!'”

The release of the full length CD The Sounds Of Blackness coincides with the 20th anniversary of the group’s landmark album The Evolution of Gospel (which features the hit “Optimistic”), and the 40th anniversary of the group’s inception.

Expect to hear “Fly Again” all over radio the first of August.

"Put It On the Altar" – Jessica Reedy

“Put It On the Altar”
Jessica Reedy
From the upcoming CD, From the Heart (Available Sept. 27, 2011)
http://www.lightrecords.com

I learned two things about Jessica Reedy while watching Sunday Best.  First and foremost, the girl can sing; after all, she snagged the runner-up spot amid hefty competition.  Secondly, the sister can arrange; surely, you remember her version of the Williams Brothers’ “I’m Still Here” and her infusion of neo-soul into both the lead and harmony vocals.

Hark!  Reedy has revealed another fact to her fans: she is a pretty good songwriter.  Along with Tony and Nakeia Homer, Reedy has penned “Put It On the Altar,” the second single from her forthcoming debut project, From the Heart.

“Put It On the Altar” is uplifting with a feel-good vibe that we haven’t heard a lot in Reedy’s musical selections so far. The music itself is both fun and nostalgic; crisp horns, a warm electric guitar, block piano chords, and the 2-5-1 turnaround channel Motown circa 1970.

Reedy’s syncopated delivery and signature low register, which magnetized thousands of Sunday Best viewers in season two, are sure to have “Put It On the Altar” heating up radio throughout the summer.

McClurkin headlines McDonald’s Gospelfest, talks about competitiveness in gospel music

By Libra Boyd

Shaundria Williams contributed to this feature

This is the second of a two-part feature with pastor and singer Donnie McClurkin.
 
Donnie McClurkin
“If you take a drive through any community, you will see the golden arches,” speaks Donnie McClurkin of the most recognized fast food chain in the world, “and if you drive through any community, you will see the entity of McDonald’s…has been wise enough to discern that the real pulse of the community is the church.”
 
McDonald’s Gospelfest returns to the New York Tri-State area on Saturday, June 18, 2011 at the Prudential Center in Newark, NJ.  The auditions are complete and competitors are preparing to share the stage with some of the biggest names in Gospel including Kirk Franklin, Bishop Hezekiah Walker, James Fortune & FIYA, Bobby Jones, Bishop T.D. Jakes, and the one and only Donnie McClurkin.
 
The competition, originated in 1983, showcases talent in several categories ranging from soloists and choirs to dance, step, groups, instrumentalists and gospel rappers. 

McClurkin is headlining this particular talent competition, and he will soon be seen in the judge’s chair on another.  McClurkin, who has signed onto BET’s Sunday Best again this season, recently talked with GMF about the McDonald’s Gospelfest, competition in gospel music, and some of his favorite new artists.

GMF:  Please explain the appropriateness of competition in the body of Christ.
 
McClurkin:  I don’t see it as competition.  I see it as iron sharpening iron.  I don’t see it as us competing; I see it as me being able to draw from you or critique you.  If you’re doing something right, I want to learn from it; if you’re doing something wrong, I gotta critique it and I gotta tell ya, “Hey, hey, that’s not gonna work.”  Even with Sunday Best, we’re sitting there…a thousand people come past us in every city, and [we’re] sitting there going, “Next!  Oh my God, no–don’t ever sing again!  Please, don’t ever–”  It’s all in fun, but it’s also to make sure people stay in their lane and in their place. So from that level, there’s no competition.  
On the level of myself…Fred Hammond, Kirk Franklin, CeCe Winans, Kim Burrell…there’s no competition.  Donald Lawrence–no competition.  We sharpen each other, and we sit back and wait to see who’s coming out with what CD…and it inspires us to go in and do more.  So that keeps the fresh move in the gospel industry, musically.  It keeps us on our toes and it makes sure that we get the best of quality, because we don’t compete, we compel and we push one another to do better.
 
GMF:  Along the lines of iron sharpening iron, who are some of your favorite up and coming artists?
 
McClurkin:   There’s a girl named Preashea Hilliard; she’s got a great CD!  “Fresh Fire” is one of the greatest songs.  Then you’ve got Forever Jones–the whole family–mother, father and kids.  They’ve got a great song out called “He Wants It All.”  There are some great artists coming up that you have never even heard of like Brittney Wright, people like Maurice Griffin, and even Duward Davis, and the list goes on…LeAndria Johnson…they are the new guys coming up and it’s our job to make space for them….Kirk Franklin is pushing Isaac Caree, and I’m taking Andrea Mellini and pushing her.  So, all of us are taking artists and pushing them; Donald Lawrence took DeWayne Woods and Sheri Jones-Moffett.  We’re bringing up these new artists, putting them out in the foreground, so that we can disappear one day.
 
GMF:   The Gospelfest takes place Father’s Day weekend.  Talk to us about your father or father figure and the impact he has had on your ministry.
 
McClurkin:  Well, there are two. (Read McClurkin’s complete response Father’s Day weekend right here on GMF, where he’ll talk openly about his biological father.)
 
GMF:  Beyond the gentlemen that are featured in the Gospelfest, will there be community leaders that will be honored as men of valor?
 
McClurkin:  Possibly.  We always do something for people who’ve passed away like Walter Hawkins and Albertina Walker; so some people will be honored.
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Tickets for McDonald’s Gospelfest can be purchased at the Prudential Center Box Office or through Ticketmaster by calling 800.745.3000, or at www.ticketmaster.com. For further information, please call the McDonald’s Gospelfest Hotline at 866.898.7772.