Pervis Staples of The Staple Singers dies

Pervis Staples, Co-Founder of Rock and Roll Hall of Fame Inductees, The Staple Singers, Passes Away at the Age of 85

Pervis pictured with sister Mavis in 2017

Pervis Staples, a co-founding member of the legendary gospel group, The Staple Singers, passed away suddenly on May 6, 2021, at his home in Dolton, Illinois according to Adam Ayers, a member of Mavis Staples’ 525 Worldwide Music management team. He was 85 years old. Beginning in 1956 with “Uncloudy Day” on Chicago’s Vee Jay Record label and stretching into the early 1980s, the Staple Singers were one of the most influential acts in gospel, soul, and social protest music. Their signature songs such as “Uncloudy Day,” “Why Am I Treated So Bad,” “Respect Yourself” and “I’ll Take You There” are hailed as soul music masterpieces.

Pervis Staples was born November 18, 1935, in Drew, Mississippi. His family moved to Chicago for economic opportunities, and he was raised on the city’s Southside where his guitar-playing father, Roebuck “Pop” Staples, started teaching his children gospel songs to entertain them and occupy their time. Eventually, word spread throughout the Chicago church community about the singing family, and they cut their first recordings for a local label, United Records. However, it’s when they started recording for Vee Jay Records that they gained a national following with rootsy songs such as “So Soon,” “If I Could Hear My Mother Pray Again,” “Will the Circle Be Unbroken,” and “Uncloudy Day” – which has been reported to have sold a million copies.

The early Staples sound was constructed around Pop Staples’ lite tenor and his understated, blues-influenced guitar playing. Surrounding it, was his teenaged daughter, Mavis’ raspy contralto; his daughter, Cleotha’s soprano; and son Pervis’ warm tenor.  “Pervis’ childhood was filled with wonderful experiences,” Mavis Staples remembers. “He liked to think of this period of his life as setting the stage for all that he wanted to do in life. Some of Pervis’ best friends as a youngster included Sam Cooke, Lou Rawls, and Jerry Butler. Pervis and the guys would stand under the lamp posts in the summertime singing doo-wop songs.”

The Staple Singers, circa 1953

Mavis’ unusually low voice on most of the songs led many to assume that was Pervis singing. “We’d trick ‘em,” Pervis told journalist Greg Kot in his Mavis Staples biography, I’ll Take You There (Scribner). “The audience would be looking for me to come up with the low part – this was for the people who heard the record but had never seen us before, I’d come up to the mike and switch over at the last second where Cleotha was, then Mavis would step up. That messed them up, but it woke up the crowd.”

After graduating from the Dunbar Vocational Career Academy, Pervis served in the U.S. Army where he served with the Field Evaluation Agency and was a member of the U.S. Army Choral Group. While he was away from the group, his sister, Yvonne, stepped in to sing. After he was honorably discharged, he returned to the group.

Pop Staples had routinely turned down offers for the group to record R&B music as he felt it was a conflict with his faith. Pervis witnessed friends such as Lou Rawls and Sam Cooke crossover and he kept nudging his father to expand the group’s repertoire. The compromise was message music after they signed with Riverside Records in 1961. The family became fast friends with folk artists like Bob Dylan on the festival circuit. Pervis and Dylan were close. In Kot’s book, Pervis recalled Dylan showing him the song, “A Hard Rain’s Gonna Fall” at the President Hotel in 1962.  He lobbied Pop Staples to let the family record it. He did and it was done as a duet between Mavis and Pervis for the 1966 LP, This Little Light of Mine (Epic Records).  Although Mavis opened the song, Pervis led the bulk of it in a smooth, mellow, and commanding voice that was reminiscent of his father’s but uniquely his own. Another stand-out solo for Pervis was his lead on The Staple Singers’ remake of Hank Williams’ 1952 cut, “Be Careful of the Stones You Throw,” on their 1965 LP, Amen (Epic Records). Underneath a gentle southern-blues melody, Pervis recites the song in a pleasing tone as his sisters provide urgently earnest background vocals for the morality tale about a young girl who is killed saving the child of a woman who had gossiped about her.

Pervis’ last album with The Staple Singers was their first for Stax Records, Soul Folks in Action (Stax Records), in 1968. The album featured new songs such as “The Ghetto” and their interpretations of tunes like Otis Redding’s “(Sittin’ On) The Dock of the Bay” and The Band’s “The Weight.” In Kot’s book, Steve Cropper, an iconic session musician at Stax Records, credited Pervis with helping him with production on the album. “If I had an idea, he would work with the girls and stretch the idea,” he said. “He would become the band leader, work with them over and over. Every idea wouldn’t work right away, so he’d work on it until they got it right.”

Pervis is also featured on duets with Carla Thomas on “I’m Trying” and “It’s Unbelievable How You Control My Soul” for the LP, Boy Meets Girl (Stax Records), in 1969. He also appeared on the all-star, “Soul-A-luja,” track that featured Stax artists such as Johnnie Taylor, William Bell, and Mavis Staples. It’s during this period that Pervis left the group to begin managing another Chicago act, The Hutchinson Sunbeams, who later became known as The Emotions.  He was involved with several business ventures, including Perv’s House, a successful nightclub that was one of the most popular nightlife spots on the south side in the 1970s. 

The Staple Singers were awarded the Rhythm & Blues Foundation’s Pioneer Award in 1992. They were inducted into the Rock and Roll Hall of Fame in 1998 and earned a Grammy Lifetime Achievement Award in 2005. They were also inducted into the Nashville-based Gospel Music Hall of Fame in 2018. “Pervis was one of a kind- comical and downright fly,” Mavis Staples recalls.  “He would want to be remembered as an upright man, always willing to help and encourage others.  He was one of the good guys and will live on as a true Chicago legend.”  

Staples was preceded in death by his parents, Roebuck and Oceola; three sisters, Cynthia, Cleotha, and Yvonne.  He is survived by his sister, Mavis Staples. He also leaves six children: Gwen Staples, Reverly Staples, Perleta (George) Sanders, Pervis Roe Staples, Paris Staples, Eala Yvonne (Michael) Sams; seven grandchildren, and seven great-grandchildren. 

Pervis Staples’ funeral services will be held Monday, May 17, 2021, in the King’s Chapel at Leak & Son’s Funeral Homes, 7838 South Cottage Grove Avenue, Chicago, IL. The wake is 10 AM and the funeral is 11 AM.

– via press release

“Wait” – Kevan Peabody

“Wait”
Kevan Peabody (2020)
Twinkem Productions

By Libra Boyd
Gospel Music Fever

Kevan Peabody is no stranger to the gospel music industry. The Bay Area singer, musician, and executive presents his latest offering, “Wait.”

With Psalm 27:14 and Proverbs 3:5-6 as references, “Wait” was written by Steven Roberts and features Peabody as the sole vocalist. Peabody’s tenor performance is mellifluous, with hints of the overlapping genres of blues and jazz. “Wait, I say, oh wait on the Lord!” he fervently sings in repetition, each round more passionate than the former. Meanwhile, the full-bodied music arrangement – predominantly piano and organ – aptly complements Peabody’s vocal, making “Wait” an aural delight for traditional gospel and jazz enthusiasts alike.

An industry veteran, Peabody’s production credits include Rev. James Cleveland, Edwin Hawkins, Dr. Bobby Jones, Lawrence Beaman, and Emmit Powell & The Gospel Elites.

Crossroads Music releases single “Conquered Grave” Good Friday

Cincinnati, OH – Crossroads Music announces the release of their newest single, “Conquered Grave.” Written by Austin Livingood, Dustin Smith (from Here Be Lions), and Robbie Reider, and produced by Chad Carouthers, “Conquered Grave” will be featured on the upcoming Conquered Grave EP along with three additional songs scheduled to release on Good Friday, April 2.

Although the song is timely with Easter right around the corner, it is a needed daily reminder — that Jesus conquered the grave and reigns victorious over death! Robbie Reider, the director of Crossroads Music, said, “I may be the only one who needs a reminder that Jesus conquered death every morning…but I don’t think so. When I have a fresh reminder of His power and authority it changes how I walk through my day. To the degree that we believe, not simply know, that Jesus is more powerful than death, is the degree that we’ll walk in freedom.”

Only a few weeks into quarantine Austin Livingood, Dustin Smith, and Robbie Reider met via zoom to write what would become Crossroads Church’s Easter “victory over death” anthem. From Ohio, Kentucky, and Tennessee, they battled video lag and buffering to pen the lyric, “Death has died, crushed by nail-pierced hands” as a reminder to each follower that our ultimate struggle has already been laid to rest by what Jesus did on the Cross.

The arrangement took form as the veteran worship leaders created the rise and fall, the tension and release that they wanted to lead their communities through. They’re excited to have these words on the lips of their community this Easter: “Every day we wake to a conquered grave.” These words root us deeply in the belief that Jesus is in fact the “Author of freedom.”

Co-writer, Austin Livingood, said, “When the global pandemic shut down everything in March 2020 and we were in quarantine, it was wild to wake up to what felt like the same day over and over again. Easter was approaching, and I remembered a different idea I had that turned into this song. The overarching theme was regardless of me waking up to the same day over and over again, I also wake up to the same hope and mercy every morning. Every day I wake up to a conquered grave and a defeated death. I don’t need four cups of coffee in the morning to get excited about that!”

The Crossroads Music team’s hope for the church is that this isn’t something to just be self-reflective and somber over, but that we can celebrate and have confidence in the fact that Jesus paved a way to life that’s just ahead of us. We don’t have to be paralyzed by our broken past but can have momentum in our relationship with God and the world because of Jesus dying and coming back to life. The cross is pivotal in the gospel story, but the cross without a conquered grave means nothing.

It’s all about Jesus and they are honored and humbled that they get to be a part of what He is doing in the church — at Crossroads, and the global Church.

Additional information about Crossroads Music can be found on the Crossroads Music website. You can stream or download their single on all major music platforms here.

– via press release

Danielle Brooks explains why Mahalia Jackson role is ‘a big choir robe to fill’

By Libra Boyd
Gospel Music Fever

Award-winning actress Danielle Brooks stars as Mahalia Jackson in the Lifetime biopic Robin Roberts Presents: Mahalia. (Photo from Lifetime)

Danielle Brooks is known for her roles as Tasha “Taystee” Jefferson in the Netflix series Orange Is the New Black and Sofia in the 2015 Broadway production of The Color Purple – portrayals which won her multiple Screen Actors Guild awards and a Grammy, respectively. She started young, cutting her acting teeth in a church play at the age of six and going on to graduate from the prestigious Juilliard School. Yet, when it came to starring as gospel queen Mahalia Jackson in Robin Roberts Presents: Mahalia, the award-winning formally trained actress knew she faced a lofty task.

Born in New Orleans, Mahalia Jackson began singing at an early age and went on to become one of America’s most admired gospel figures. In the late 1940s, her arrangement of W.H. Brewster’s “Move On Up A Little Higher” reportedly sold two million copies. Jackson rose in acclaim, performing to racially diverse audiences at Carnegie Hall, touring internationally, and debuting The Mahalia Jackson Show on the CBS radio network. During the 1950s and 1960s, Jackson’s music was threaded into the country’s civil rights movement. An active supporter, she sang at numerous rallies, including the 1963 March on Washington alongside Dr. Martin Luther King, Jr., hoping her music would encourage and inspire racial equality. 

Mahalia Jackson
Mahalia Jackson

Mahalia covers 40 years of Jackson’s life and features several of her most recognized musical numbers. Brooks does her own singing in the biopic, showcasing a set of pipes previously unheard by many, if not most, of her followers. “A little tricky” is how she described the situation during a recent Zoom interview.

“The fear comes because most people say ‘big shoes to fill,’” Brooks, 31, explained. “I say that’s a big choir robe to fill – to be the ‘Queen of Gospel Music’ when people have not heard [me] as a vocalist yet.” 

She continued, “As people of color, we have high expectations for our people because we only want the best. We want to present the best. So I just wanted to make everybody proud, make my ancestors proud, make Mahalia proud, make my church family from Bethlehem Baptist Church in Fountain Inn, SC proud.” 

If the film trailer is any indication, Brooks has succeeded. 

Among the lessons to be learned from Mahalia, Brooks said, are the importance of relying on our own faith in challenging times and the significance of using our own gifts to bring hope and effect positive change.

Mahalia is executive produced by Robin Roberts and Linda Berman from Rock’n Robin Productions and Lincoln Square Productions, respectively. Brooks along with Tony Award winner Kenny Leon are co-executive producers. Leon is also the film’s director.

Mahalia premieres April 3rd at 8/7c on Lifetime, one day before both Easter and the anniversary of Martin Luther King, Jr.’s assassination.

New artist duo F.L.O.G.I.C releases music video ‘My God 4x’

F.L.O.G.I.C - Favored Ladies of God in Christ

The burgeoning Christian sister-duo F.L.O.G.I.C, composed of sisters Breanna and Taylour Dickerson, is an inspirational, multilingual group breaking cultural barriers with their inclusivity, giving them a global appeal. F.L.O.G.I.C – Favored Ladies of God in Christ – believes God has given them the ability to reach people of all ages and from all backgrounds, and they desire to use their music as a way to bring generations together and all those who choose to love God, no matter their race or denomination. At a time when the youth are really struggling, F.L.O.G.I.C brings hope to young adults with their relatability and their fun approach to loving and serving God. Their newest release, “My God 4x,” a colloquial tale about being on God’s side, based on Matthew 25:33-34, is a testament to that. The song’s music video, which features high-energy teens and the duo’s strong dance skills, is set to release on March 27.

Breanna and Taylour grew up dancing and singing in the church, as well as performing in plays at megachurches across the country. Since the pandemic, they have changed their group’s name and have changed their inspirational genre label to Christian, although their music continues to be an inspiration to all. In 2019, Breanna and Taylour were hand-picked for a private audition for America’s Got Talent season 14, which led them to the celebrity judge round, receiving four favorable responses from Gabrielle Union, Julianne Hough, Howie Mandel, and Simon Cowell. With a background in musical theatre, both sisters are electrifying on stage. Before the pandemic, the ladies performed at the famous Sound of Brazil in NYC, Revolution Bar and Music Hall, and the Paramount Theater, among other venues. With a passion for both female empowerment and education, F.L.O.G.I.C will be opening at the annual Girlz Talk 2021 STEM Conference, celebrating women in science, where their music video will also be debuted.

via press release

“Praise the Name” – Melanie Waldman

“Praise the Name”
Melanie Waldman (2021)
Melanie Waldman Music

By Libra Boyd
Gospel Music Fever

Like many, Melanie Waldman’s 2020 was filled with transition and uncertainty. Drawn to the scriptures as her anchor, the worship leader began writing and has now released the worship single, “Praise the Name.”

“Praise the Name” is based on Psalm 107 and is the first single from Melanie’s forthcoming album, PSALMSONGS, which features more self-written tunes inspired by the book of Psalms. Produced by Lori Chaffer, “Praise the Name” is expressed with old and new sounds in instrumentation as well as through Melanie’s airy legato approach, particularly in the worship tune’s chorus. “Praise the name of the Lord our God,” she croons. “He is loving. He is kind…”

In addition to leading worship and writing, Melanie is a speaker and wife. She and her husband Scott split their time between New Jersey and Nashville.

Jonathan McReynolds, PJ Morton among 63rd Annual Grammy Award winners

Jonathan McReynolds, PJ Morton, and the Fisk Jubilee Singers are among several who are undoubtedly all smiles after earning wins at the 63rd Annual Grammy Awards. Winners in the gospel and CCM categories were announced earlier today, ahead of the live broadcast on CBS.

The winners in each category are in bold italics below. The complete list of winners is being updated here throughout the evening.

Best Gospel Performance/Song

WONDERFUL IS YOUR NAME
Melvin Crispell III

RELEASE (LIVE)
Ricky Dillard Featuring Tiff Joy; David Frazier, songwriter

COME TOGETHER
Rodney “Darkchild” Jerkins Presents: The Good News; Lashawn Daniels, Rodney Jerkins, Lecrae Moore & Jazz Nixon, songwriters

WON’T LET GO
Travis Greene; Travis Greene, songwriter

MOVIN’ ON
Jonathan McReynolds & Mali Music; Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters [WINNER]

Best Contemporary Christian Music Performance/Song

THE BLESSING (LIVE)
Kari Jobe, Cody Carnes & Elevation Worship; Chris Brown, Cody Carnes, Kari Jobe Carnes & Steven Furtick, songwriters

SUNDAY MORNING
Lecrae Featuring Kirk Franklin; Denisia Andrews, Jones Terrence Antonio, Saint Bodhi, Brittany Coney, Kirk Franklin, Lasanna Harris, Shama Joseph, Stuart Lowery, Lecrae Moore & Nathanael Saint-Fleur, songwriters

HOLY WATER
We The Kingdom; Andrew Bergthold, Ed Cash, Franni Cash, Martin Cash & Scott Cash, songwriters

FAMOUS FOR (I BELIEVE)
Tauren Wells Featuring Jenn Johnson; Chuck Butler, Krissy Nordhoff, Jordan Sapp, Alexis Slifer & Tauren Wells, songwriters

THERE WAS JESUS
Zach Williams & Dolly Parton; Casey Beathard, Jonathan Smith & Zach Williams, songwriters
[WINNER]

Best Gospel Album

Gospel According to PJ cover art

2ECOND WIND: READY
Anthony Brown & group therAPy

MY TRIBUTE
Myron Butler

CHOIRMASTER
Ricky Dillard

GOSPEL ACCORDING TO PJ
PJ Morton [WINNER]

KIERRA
Kierra Sheard

Best Contemporary Christian Music Album

RUN TO THE FATHER
Cody Carnes

ALL OF MY BEST FRIENDS
Hillsong Young & Free

HOLY WATER
We The Kingdom

CITIZEN OF HEAVEN
Tauren Wells

JESUS IS KING
Kanye West [WINNER]

Best Roots Gospel Album

Celebrating Fisk! cover art

BEAUTIFUL DAY
Mark Bishop

20/20
The Crabb Family

WHAT CHRISTMAS REALLY MEANS
The Erwins

CELEBRATING FISK! (THE 150TH ANNIVERSARY ALBUM)
Fisk Jubilee Singers [WINNER]

SOMETHING BEAUTIFUL
Ernie Haase & Signature Sound

Gregory ‘Gregory D’ DeMyers reveals inspiration behind song ‘My Time’

By Libra Boyd
Gospel Music Fever

Just before Gregory DeMyers penned his single “My Time,” he had a question. You see, DeMyers, known as Gregory D,  is a self-described family man who loves the Lord. He writes music and sings whenever given the opportunity. He oversees the streaming of weekly services at his local church, Tabernacle of David Church in Lansing, MI. He even owns a production company and recording studio. Essentially, Gregory is a good steward of his time, talents, and resources, and he is faithful over the work of his ministry. Still, at one point the multi-talented singer-songwriter, who is also a multi-instrumentalist (keyboard, organ, drums, and bass), wondered when his time would actually come to reach the masses. 

Then Gregory heard from God.

“God spoke to me and said, ‘I am making room for you.’” Gregory, an ordained elder whose ministry started in gospel rap before evolving into praise and worship, subsequently wrote the praise and worship tune “My Time.” He sang the uptempo declaration prophetically over his life and ministry, encouraging himself to trust God’s schedule. Since then, he and his aggregation known as Gregory D and Company have debuted on multiple TV shows and landed on several Billboard charts. “When Marvin Sapp, an icon, was #31 on the charts, we were holding the #36 spot. That was a true wow for my career, especially as an independent artist.”

“As an artist, you want every project you release to do good,” Gregory reflects. “After years of putting out music, it came to a point in my life where I questioned if I was good enough to do this.  That’s when God assured me that my time is now. That’s the encouragement I want to give to others: You are good enough!  Don’t let failures stop you from pushing through.”

“My Time” was released as a collaborative effort between Gregory D Productions, LLC and Indie Blu Music. He plans to keep the music coming with the release of another single this year titled, “Created.” You can follow him on GregoryDmusic.com and all social media platforms such as Facebook, Twitter, Instagram, Snapchat, Tiktok, and Clubhouse @GregoryDmusic.

“Get Ready” – Darwin Hobbs

“Get Ready”
Darwin Hobbs (2021)
HeartART Worship
https://smarturl.it/HobbsGetReady

By Libra Boyd
Gospel Music Fever

Darwin Hobbs is back and his new single “Get Ready” hits as if he never left. Hobbs hasn’t recorded an album in a decade, using his time away from the industry to regain a sense of focus and purpose. Now not only has he released new music, but he’s done so through his own company, HeartART Worship, a community for creative worship artisans wherein pastors, leaders, musicians, and others will foster opportunities for mentorship, discipleship, and creative expression. The mid-tempo horn-driven declaration of expectancy (shout out to Mo’Horns brass band) is HeartART Worship’s first release.

In addition to his latest endeavors, Hobbs serves as a worship leader at the Christian Cultural Center in Brooklyn, NY.

“What A Friend” – Elder Randall Ogans, Sr.

“What A Friend”
Elder Randall Ogans, Sr.
From the CD, What A Friend (2020)
https://elderrandalloganssr.hearnow.com/

By Libra Boyd
Gospel Music Fever

Elder Randall Ogans, Sr.’s arrangement of “What A Friend” is like chicken soup for the soul. The jazz-infused instrumental is the title track from his debut gospel jazz CD, on which son Dorian is a featured musician and co-producer.

“What A Friend” opens with the lull of an acoustic piano, shaping each note of the melody into a reminder of the solace we and the generations before us have found in the 19th-century hymn. Ogans’ arrangement then blossoms into a full-bodied smooth instrumental, replete with electric piano, organ, pads, and percussion.

The track was recorded at Ogans’ own Alpha 7 Ministries Studios in Roseville, CA.