"I'll Always Be Thankful" – Duranice Pace ft. The Pace Family

“I’ll Always Be Thankful”
Duranice Pace ft. The Pace Family (2017)
Madison Music Group

By Libra Boyd
Gospel Music Fever

Duranice Pace is the eldest sister and a lead singer with gospel’s beloved Anointed Pace Sisters.  She’s appeared in a number of stage plays and once upon a time appeared weekly on BET’s Bobby Jones Gospel as a Nashville Super Choir cast member, the backing choir for Jones.  Those who weren’t already acquainted have been introduced through video clips of her trademark entrances at family gatherings and impromptu performances at places like Walmart and IHOP, which spread like wildfire across social media.

At the family’s most recent Thanksgiving Day get-together, Duranice burst through the front door with melody.  Her musical family–which includes matriarch Pastor Bettie Pace and Duranice’s eight singing sisters–has come to expect as much, so the phone’s cameras were rolling.  The footage, posted by younger sister LaTrice, became an instant hit and within a few days, “I’ll Always Be Thankful”–the song that brought everyone joy, tears, and tears of joy–was released as a single.  It’s easy to see why the inspirational uptempo song of gratitude, celebration, and fond remembrance resonated with hundreds of thousands: “Here we are again sitting at the dinner table / Talking to one another / Ain’t nothing like family and friends…”

“I’ll Always Be Thankful” features the Pace family and is produced by Duranice’s nephew, Dennis Lamar Martin, Jr.

'Living Legends Concert' honors Lee Williams & The Spiritual QC's as Williams readies for retirement

Lee Williams and the Spiritual QCs
By Libra Boyd
 
Melvin Williams and Doc McKenzie & the Hi-Lites were among hundreds who filled Durham’s King’s Park International Church Friday evening to honor Lee Williams and the Spiritual QC’s (pictured left).
 
The four-hour musical was billed as “The Living Legends Concert: An Intimate Evening with The Legends Honoring Lee Williams and the Spiritual QC’s” and is said to be one of Lee’s final appearances with the QC’s in North Carolina.  The longtime frontman of the Tupelo-based group founded by his uncle in the 1960s plans to retire from traveling and performing this year.  In July, Daily Journal reported that the multi award-winning singer and songwriter is battling Alzheimer’s Disease.  Lee spoke with GMF in 2011 regarding fans’ concerns about his health and rumors of retirement.  At the time, he told GMF founder Libra Boyd, “That’s not up to me” and that he’d continue to travel and perform with the group “as long as [God] lets me.” (Read the related story here.)
 
Last evening, Williams led the QC’s and an enthusiastic audience through abbreviated renditions of the group’s hits including “I’ve Learned to Lean” and “I Can’t Give Up,” with support from fellow group members Patrick Hollis and Leonard Shumpert.  One of the evening’s most memorable moments, however, occurred at the conclusion of gospel great Melvin Williams’ 37-minute set when Lee, to Melvin’s utter surprise and sheer delight, reappeared on stage for “Cooling Water,” the standout song from Doug and Melvin Williams’ Duets project.  Minutes earlier, Melvin had credited Lee, who was featured on the recording with Melvin, for the song’s massive success.
 
Other musical guests for the Living Legends Concert were Doc Mckenzie & The Hi-Lites and area groups From the Heart, New Creation, and Chuckey Robinson & C.E.R.J.E.R.Y.  Lee was also celebrated with video tributes from industry colleagues Pastor Luther Barnes, Harvey Watkins, Paul Porter, Keith Wonderboy Johnson, and Pastor Thomas Walker. 

Additionally, he was honored with a proclamation from the City of Durham declaring August 24, 2018 “Lee Williams Day” and was presented a framed honorary gold plaque on behalf of event coordinator Clarence Harding, M4 Enterprise, and North Carolina gospel media.
 
GMF extends congratulations and deep gratitude to Mr. Lee  Williams for his notable achievements during his time on the gospel highway and for the example he has set in the quartet community.  Our prayers are with him for a blessed retirement and precious quality time with his family and friends.
 
See more pictures below and check out even more photos from the concert on GMF’s Facebook page.
 

Clockwise from top left: Lee joins Melvin Williams for “Cooling Water.” (Photo credit: Michael Boykin) / Radio personality Bobby Parker (left) presents Lee a framed honorary gold record on behalf of M4 Enterprise, its owner Clarence Harding (third from left), and NC gospel media personalities (in the background, partially obscured). Rosie Trenia Moore (right) looks on. (Photo credit: LaShelle Crump) /  Doc McKenzie & The Hi-Lites deliver a riveting concert of fan favorites. / Melvin weeps as he embraces Lee following “Cooling Water.”

Editor’s Note:  Lee Williams is no relation to Doug and Melvin Williams.

“I Am Confident” – Dr. Charles Diggins ft. Queen with High Praise & Worship

“I Am Confident”
Dr. Charles Diggins ft. Queen with High Praise & Worship
From the CD, The Secret Place “Live” (2018)

Charles Diggns cover artBy Libra Boyd
Gospel Music Fever

Despite what many of today’s gospel and inspirational playlists might imply, traditional choir music is alive, thriving, and kept at the forefront by artists such as Dr. Charles Diggins ft. Queen With High Praise & Worship.

The aggregation’s current single, “I Am Confident,” is from the full-length CD, The Secret Place “Live”, and is centered squarely on Philippians 1:6.  High Praise & Worship fervently punctuates the biblical assertion in a staccato manner as the song moves along unhurriedly.  Diggins’ verve and phrasing on the Roland Perry composition are occasionally reminiscent of gospel great Douglas Miller–certainly not a critique but rather a nod to the popular era of choirs fronted by robust voices like Miller, Cleveland, Brunson, Biggham, and Kee.  Diggins is solid at the helm of the High Praise & Worship Chorale.  Additionally, the minister of music and Alabama native has presented his own compositions and arrangements all over the country to include GMWA, NCGCC, and the National Baptist Convention.

The full-length CD features Diggins’ wife and music partner, Queen.

Daja Rice on new book ‘Daddy’s Girl’ and the journey from heartbreak to redemption with father

Below is the abridged transcript of my interview with Daja Rice, which first aired June 4, on “The Gospel Music Fever Show” with Libra Boyd. #GMFRadio
 
By Libra Boyd
 
Photo | Montez Hilliard
Daja Rice is a singer, professional theater performing artist, playwright, and author of the book, Daddy’s Girl. She’s originally from Spring Valley, NY and presently resides in GA with her husband, Jonathan. Aside from serving in ministry with her husband, she has spent much of her career performing on stage and enhancing the education of youth through the performing arts.
 
Libra:  Daja, how are you?
 
Daja:  I’m great!  How are you?
 
Libra:  I’m doing well, I’m excited [for you to talk] to us about your brand new book, Daddy’s Girl. I really want to get into that, but before we do, I would love for you tell our audience about your ministry. You are in ministry with your husband Jonathan and currently, you are based in Georgia. You and Jonathan both sing. Tell me a little bit about that, because you’ve come on Facebook Live, and maybe done some singing [on there], and you’ve done some worship events.
 
Daja:  Yes, we have a duo called The Rices and we sing [gospel music] together. Singing is something that we enjoy doing together, but we don’t just limit our marriage ministry to that. We also enjoy having candid and transparent conversations with people about marriage and the lessons that we learn. As a matter of fact, this past Friday (June 1), we celebrated our first year anniversary–
 
Libra:  Congratulations!
 
Daja:  … as a married couple. Thank you, thank you, thank you! So excited that we made it.
 
Libra:  Absolutely.
 
Daja:  Because millions didn’t.  We’re one of the couples who did. So, to commemorate that, on Thursday, we had a conversation on Facebook Live, called “365 Things I Know About Marriage”. And the reason why we called it that–we didn’t actually talk about 365 things–but we called it that because a lot of times people don’t think that newlyweds know anything about marriage, and that is so untrue. You literally learn something new every single day. Hence the name, “365 Things I Know About Marriage,” because we learn something new every day. And so if you wanna shoot over to Facebook, www.facebook.com/thericessing, you’ll find that video there.
 
Photo | Tierre Peterson

Libra:  Awesome. And you have a brand new book called Daddy’s Girl. Tell us about it.

 
Daja:  Daddy’s Girl is an autobiographical story about my process from heartbreak to redemption with my natural father, which inspires women to not only literally acknowledge and embrace the power of the father/daughter relationship, but it also shares personal experiences, like I said, with an effective strategy to promote healing and redemption period. Not only with your natural father, but with anyone or even with yourself. And so I’m really excited about it, because it’s always a beautiful thing when God turns your test into a testimony, and so I’m hoping that this will be a blessing to people.
 
Libra:  [I like how readers have] the opportunity to reflect [through] the writing prompts [that] are connected to each of the nine chapters of the book.  You said in the book that your assignment is to “help people choose forgiveness, even if you don’t get an apology.” Your assignment is to “help people to choose love, even if your heart is broken.”  How did you find this place? How did you come to understand this as your assignment?
 
Daja:  I just believe that [just as I] overcome by the words of my testimony, so will other people and so I believe that because God gave me this beautiful story, I have a mandate on myself to share it with other people and let them be blessed by it. And so that’s how I came into knowing that as my assignment. But before it becomes an assignment, it’s just a reality. Sin is a hard reality to face when you do have to do things like forgiving people who don’t say sorry, or love when your heart is broken. Those are hard things to do. And so what I wanted to do through this book was share my experiences with other people [and] tell them how I took responsibility for my healing and redemption.
 
Libra:  You talk about the point at which you were with your then-boyfriend, now husband. You recalled the point that you were with him at the fair and you had a breakdown. But it was a breakdown that ended up being the breaking point that provided the segue for your breakthrough. Tell us more about that.
 
Daja:  It was a powerful moment because I realized just how emotionally unstable I was, and that’s a hard reality to face too–because it provokes you. You have to do something. And you can’t just sit back and blame other people for how you feel; you have to take responsibility for it. So I listened. In context. My husband–or my boyfriend at the time–and I were at the fair. We’d had a really great time, it was an awesome day, and then we get in the car and I just burst into tears [over] what we thought was nothing. But it wasn’t “nothing.” It’s never “nothing.” So [I went] on this rant about how unhappy I was.  He let me let it all out, and then he [said] to me–and I don’t even think he knew how powerful this was at the time, “You want me to be your father and I can’t be. I can’t be your father.”
 
Because I had a void there for my natural father, I was expecting Jonathan to fill areas that he was not meant to fill. And when you do that, it’s a very dangerous thing because then you start to place unrealistic expectations on your counterpart. And everybody comes into our life for a reason, and so I compared people to rubber bands in Daddy’s Girl. I said, “You know, rubber bands will do just like people. They’ll do what they’re supposed to do, but if you try to stretch them too much, eventually they’ll pop.” And that’s what I started to see with Jonathan. It was just, you know it was one of those “pop” moments, like, “Girl, I love you, but I can’t be all of this for you. I can only be what God has called me to be for you, and that is a boyfriend right now. And one day it might become a husband, but it will never be a father. That’s not what God called me to be for you.”
 
And so once I faced that reality, I also faced the reality that some of the pain and some of the hurt that I was experiencing, I was actually bringing on myself.
 
Photo | Tierre Peterson

Libra:  Was Jonathan aware of the nature of the relationship between you and your father at that time?

 
Daja:  Yes, but Jonathan (pictured right), even though he was aware of the nature of our relationship, only got my side–because my father lived almost a thousand miles away from me. And so my father and Jonathan had met, but they didn’t have a lot of interaction with each other, and Jonathan didn’t have the opportunity to make his own judgment.
 
It took me a little time [to come to terms with the reality that Jonathan presented me that day at the fair], but he was right. And I didn’t realize that until maybe a couple weeks later. So when I finally realized that he was right, I didn’t even tell him that he was right. I just went to work. I sat with it, I reflected on it, and then I did something with it.
 
Libra:  And what strikes me is that you handled all this with care. You mentioned in the book that you received your father’s blessings to write Daddy’s Girl, which I think is critically important because your father is still a part of your life. He was at your wedding. How is your relationship with your father now, and what has been his response to the completed book?
 
Daja:  My relationship with my father is real. It’s a real father/daughter relationship. We talk often. He gives me his fatherly advice. He disagrees with some of the things I do. I disagree with some of the things he does. We love each other through it. It’s a real father/daughter relationship. None of that idealistic stuff that I used to hold him to, and so our relationship is redeemed in that way. And what he thinks about this book is that people will be blessed by it, just like I do. And so he’s just super supportive.
 
Libra:  Well that’s really encouraging. That has to mean a lot to you.  How can folks purchase Daddy’s Girl?
 
Daja:  You can go to www.thericesent.com and shop there.  I am [also] going to start a virtual book club on Facebook. So if you want to be notified about that when it starts, just subscribe to our mailing list on the website [I just mentioned], and you’ll be notified when that starts as well.

60 Seconds with Rapper Mike Teezy

By Jane M. White
GMF Special Contributor
 
Mike Teezy is a rapper, singer/songwriter, musician, and dancer whose music – inspired by everyone from Kirk Franklin and Michael Jackson to Kendrick Lamar and Busta Rhymes – is creating a buzz throughout the gospel and urban inspirational community.  I recently caught up with him for a literal minute at the 2018 Rejoice Awards, just before he was announced as the winner in the Urban artist category.
 
Mike, how did you get started?


I started off with poetry.  I was always behind the scenes playing the drums and stuff like that.  Poetry was my outlet to relieve stress or whatever I was going through at the moment, and then I thought, why not put it to a beat?  So that’s pretty much what God started doing with me.

What is your latest album called?

I actually just dropped my new EP, Szn (pronounced “season”).  I dropped that on my birthday, April 7th.

And how can people purchase it?

It’s on Spotify, Amazon, Apple music – everything!

Where are you based?

I’m in Winston-Salem, NC at Faith Christian Outreach Center, where my father [Michael Tyree] is the pastor.

How can people contact Mike Teezy?

My website is www.miketeezymusic.com.

“I Can’t Afford” – Lowell Pye

“I Can’t Afford”
Lowell Pye
From the CD, The Master’s Will Project (2015)
www.masterswillmusic.com

Lowell Pye_The Master's Will Project cover artBy Libra Boyd
Gospel Music Fever

Lowell Pye appears on The Master’s Will Project with “I Can’t Afford,” a brisk traditional hand-clapper that hearkens to his New Life Community Choir days with John P. Kee.

A standout feature of “I Can’t Afford” is the way in which Lowell skillfully allows ample breathing room within its verses sans a grunt, moan, or riff in every cranny.  The Stellar Award-winning singer seems to focus squarely on delivering the song’s straightforward message: God’s love and goodness continually exceed Lowell’s faults and frailties.  In return, he “can’t afford to let [his] Savior down.”

The Master’s Will Project, executive produced by husband-wife team Dale and Carla Conaway, is the debut release from Master’s Will Music.  Both the full-length CD and “I Can’t Afford” were nominated for Radio Alliance Awards in 2017 for CD of the Year and Traditional Song of the Year, respectively.

“Shout It Loud” – Clifford

“Shout It Loud”
Clifford
From the EP, Love and Worship (2017)
Available at Soundcloud

Cover art for "Shout It Loud" by CliffordBy Libra Boyd
Gospel Music Fever

From the EP Love and Worship, Clifford brings listeners “Shout It Loud,” produced by Dotkeez.  Throughout the CCM vertical worship tune, the singer/songwriter and worship leader extols God’s worth, asserting that he will proclaim his worship thunderously.

Clifford is based in Nigeria and balances careers in both music and medicine. 

"Mercy" – Prince Tai

“Mercy”
Prince Tai
From the CD, Lessons (2017)
Available at iTunes

Prince Tai art workBy Libra Boyd
Gospel Music Fever

I got goodness on my right side
I got mercy on my left
And I know I don’t deserve it
Even my haters callin’ me blessed

Don’t mistake Prince Tai’s declaration for conceit, because while the singer/songwriter acknowledges, “I’m far from what I was,” he makes no bones about his need for God’s continual mercy.  In fact, “Mercy” is the name of his hip-hop tinged contemporary single and the plea therein contained.  The hook alone is infectious, but the prayer lyrically expresses a widespread confession and request: “I’m far from what I was, but I’m not yet what I shall be.  Have mercy on me…”

Prince Tai is based in Norcross, GA, and has caught the eye of notables like Drake, Michelle Williams, Tyrese, Erica Campbell, Tweet, and Missy Elliott.

"King of Glory" – Psalmist Raine & The Refresh Team

“King of Glory”
Psalmist Raine & The Refresh Team (2017)
 
Psalmist Raine King of Glory cover artBy Libra Boyd
 
“King of Glory” is the new single from Psalmist Raine and the Refresh Team’s forthcoming CD, Refresh Worship Live II: For the Nations.  The enthusiastic praise anthem, produced by Nicholas McCree of Salohcin Media Group, invokes the King of Glory’s presence, for “the Lord God strong and mighty is the greatest of them all…King of Glory, we welcome you!”
 
The full-length project was recorded live on September 29, 2017, at Atlanta’s Tabernacle of Praise International Church and is the Chicago-based singer’s fourth live recording.  “King of Glory” is available at CD Baby, and the entire CD is set for release in early 2018.

"The Train" – The Torain Family Singers

“The Train”
Torain Family Singers (October 2017)
www.facebook.com/groups/torainfamily

By Libra Boyd
Gospel Music Fever

cover art

The Torain Family Singers of Roxboro, NC salute their group’s former lead singer with the spirited single, “The Train,” produced by Demetrius Ledbetter.  As its title suggests, the song incorporates gospel music’s often referenced train metaphor into its rollicking invite for the Heaven-bound ride.

Frances Torain, whose rustic, churchy singing style and non-showy stage presence frequently left congregations craving more, long after she and her group took their seats, boarded the train herself in 2016 (see related story).  

This October, the Torain Family Singers released “The Train,” one of Frances’ most recognizable and requested songs with the group.  Thanks to the magic of digital audio recording and a three year-old amateur live performance archive, Frances rejoins her family on this single for the number’s opening call, “Come on, come on, come on,” to which the family responds, “Don’tcha wanna go?”  From that point, Victor Torain moves the song forward with the family in tow, enthusiastically affirming, “Yes, I want to go!”  The family ultimately charges into the bass guitar-driven vamp with a recurring interjection of “ooh-hoo,” but not before eight year-old Makiyh Allen makes his own affirmative assertion (“Oh yeah!”), echoed by his elders. 

To ride, Victor sings, “You’ve got to be holy / you’ve got to live right / no matter what the people say / you’ve got to live right…”