Category: Reviews

"Say Yes" – Tiffany Jeffers

"Say Yes" Tiffany Jeffers art work“Say Yes”
Tiffany Jeffers (2016)
Write Haus Music Group
www.tiffanyjeffers.com

By Libra Boyd
Gospel Music Fever

The intro of Tiffany Jeffers’ single “Say Yes” could easily be part of an old Nintendo game.  But get this: just as quickly as the synth sequence catches your ear, the classically trained gospel singer’s richly textured vocal comes to the fore and the music mellows into R&B and soul sweetness.

“Say Yes” is the single from Tiffany’s debut EP by the same name, which features 10 songs produced by Morgan Turner and Josh Lay of Rhyme and Reasons Productions.  The song’s message is solid and straightforward–surrender to God’s will–and the vibe is palatable to listeners with urban gospel tastes.

Tiffany hails from Baltimore, MD.

"It is Well" – Joe Pace Presents: Pastor H.B. Charles, Jr. and the Shiloh Church Choir

Pastor H.B. Charles, Jr. and the Shiloh Church Choir cover art

“It is Well”
Pastor H.B. Charles, Jr. and the Shiloh Church Choir
From the CD, Joe Pace Presents: Pastor H.B. Charles, Jr. and the Shiloh Church Choir (September 23, 2016)
Shiloh Worship/360MusicWorX
www.Shiloh.church/music

By Libra Boyd
Gospel Music Fever

The sacred hymn “It is Well (With My Soul)” is two years older than the 141 year-old Shiloh Baptist Church, shepherded by Pastor H.B. Charles, Jr.  Nevertheless, Joe Pace’s arrangement of the hymn staple, as featured on the project, Joe Pace Presents: Pastor H.B. Charles, Jr. and the Shiloh Church Choir, melds the tune’s enduring lyrics with modern musical and vocal stylings to refresh the morning worship standard for a new generation.  

The Shiloh Church Choir’s contemporized version of “It is Well” is characterized by an uptempo rhythmic bounce and a vamp in which they emphatically affirm, “It is well with my soul / It is well with my soul, it is well!“

Pace is a Grammy, Dove, and Stellar-nominated songwriter, producer, and choir director.  The music industry veteran presently serves as Shiloh’s pastor of worship and arts.

"Grateful" – Ted Winn & Balance feat. Maranda

"Grateful" Ted Winn & Balance art work

“Grateful”
Ted Winn & Balance feat. Maranda (2016)
Shanachie Entertainment
Available at iTunes

By Libra Boyd
Gospel Music Fever

Ted Winn’s gospel ballad “Grateful” doubles as a personal expression of thanks and a tribute to his friend and musical influence, the late Bishop Walter Hawkins.  

Inspired by Hawkins as well as three generations of matriarchs in his own family, Winn said of the self-penned single, “‘Grateful’ is a song I penned as I thought about the significance of my mom, my grandmother and great-grandmother in my life. My dad wasn’t present but God orchestrated it so that these powerful women were.  So I realized you can cry over who left or celebrate who stayed. I chose to be grateful.”

Strings and a simple piano chord progression open the track, leaving ample room for Winn’s impassioned words of gratitude:

Taught me how to love myself 
Recognized my value, my internal wealth
Now I see my potential the way you do
And I am grateful to you

The song ascends from its bridge to the chorus, accompanied by group members Balance, before making its segue into the Hawkins classic “Be Grateful,” where jazzy Maranda Willis trades the lead with Winn.

“Grateful” is from Winn’s forthcoming album, set for release in 2017.

“Come On Everybody” – Greater New Hope Mass Choir

Greater New Hope Mass Choir cover art

“Come On Everybody”
Greater New Hope Mass Choir (2016)
Touch One Musiq
Available at CD Baby

By Libra Boyd
Gospel Music Fever

Greater New Hope Mass Choir in Oxford, NC is having some foot-stomping church, and they don’t intend to do it alone.  They issue an exuberant invitation to “praise the Lord…for He is good, He is good, He is good” with their current single, “Come On Everybody,” recorded live during a spiritual service.

“Come On Everybody” has all the hand clapping, horn stabbing, organ riffing, and tambourine shaking you’d expect in a traditional church choir song.  Punctuated by pulsating bass and the lead vocal of the song’s writer and producer Brian Foster—who is Greater New Hope Baptist Church’s minister of music and co-founder of the North Carolina Community Choir (Malaco)—”Come on Everybody” has Sunday Morning written all over it.

"God's Grace" – Rev. Luther Barnes and the Restoration Worship Center Choir

Luther Barnes The Favor of God cover art

“God’s Grace”
Rev. Luther Barnes and the Restoration Worship Center Choir
From the CD, The Favor of God (2016)
www.shanachie.com

By Libra Boyd
Gospel Music Fever 

“God’s Grace” is the current single from Rev. Luther Barnes’ full-length release, The Favor of God, his first choir project in ten years.

“God’s Grace” adheres to Barnes’ characteristically uncomplicated vocal approach and traditional genesis, sauntering from his mild opening verses to the choir’s passionate refrain.

The singer/songwriter/producer/pastor is backed by the Restoration Worship Center Choir, which sounds like a compact version of the Redd Budd Gospel Choir that he recorded with for years. Barnes is the senior pastor of Restoration Worship Center.

"Trouble in the Street" – The Pilgrim Jubilees

"Trouble in the Street" The Pilgrim Jubilees cover art
“Trouble in the Street”
The Pilgrim Jubilees
From the vinyl LP, Trouble in the Street (1997)
 
By Libra Boyd
 
The Pilgrim Jubilees were thought by some to be ahead of their time when they released their 1997 album, Trouble in the Street. The title track has in fact been around decades longer. Still, the evocative title song raised eyebrows and perked up ears with haunting sounds of gunshots, sirens, and authoritative voices shouting, “Get on the ground, Boy!”
 
Written by the Jubes’ frontman Clay Graham, “Trouble in the Street” is an emotive message song with social commentary that, sadly, is as relevant today as when first released.  When the song first came out, however, it failed to garner radio airplay.  The reason, Clay recalled in Alan Young’s book The Pilgrim Jubilees (University Press of Mississippi), was that some deejays thought lyrics about violence and senseless deaths were too pessimistic for the listeners.  Still, Clay remained hopeful that the time would come for his outcry to be heard.  After all that has happened in the nation in recent weeks and months, this may be that time. “We need Jesus!” proclaim the Jubes.

Fill This House – Shirley Caesar

Shirley Caesar
Fill This House (2016)
eOne Music 
www.shirleycaesar.com
 
By Libra Boyd
Gospel Music Fever
 
Fill This House is Pastor Shirley Caesar’s most refreshing body of musical work in recent years.  Many who bought the project, helping it debut at number one on the Billboard Top Gospel Album chart, will probably agree.
 
The album kicks off with the immediately infectious “It’s Alright, It’s OK,” featuring soulful R&B singer and fellow North Carolinian, Anthony Hamilton.  Following the opening track, she takes us straight to church with the testimony-charged “He Won’t Fail You,” praise-break inducing “Survive This” with Bishop Hezekiah Walker, and worshipful title song “Fill This House.”
 
Although head-bobbing comes standard with “Need Him Now,” the traditional-contemporary groove is the backdrop for sobering social commentary:

Look at all of the trouble today–war and killing flooding the land
You know it’s time to pray
No prayer in the schoolhouse, and wrong is right in the White House
We need Him right away…

During the last ten seconds, crank up the volume and check out some of Pastor Caesar’s wordless improvisational sweetness.
 
Having recorded more “mama” songs than perhaps any other gospel recording artist, it is entirely appropriate that Fill This House also features a matriarchal ode of sorts—this one to the historic Mother Emanuel AME Church, site of the devastating Charleston church massacre.  “Mother Emanuel,” penned by Chip Davis and Dony and Reba Rambo-McGuire, is the poignant, moving standout of the project, elevated in emotion when President Obama begins to read the names of the victims. 
 
“Prayer Works,” written by V. Mike McKay, brings Fill This House to a high energy, inspirational end and solidifies the project’s place among the great releases of 2016. 

The saying goes, “If it ain’t broke, don’t fix it.”  There is certainly nothing broken or in need of a fix when it comes to the music of Pastor Caesar and the writing and production of her longtime music director, Michael Mathis.  Still, their collaborations with this project’s host of creative writers, producers, musicians, and background singers has reinvigorated the Caesar sound and brought out the best in one of the best to ever sing or preach a gospel message. 

I have never made such a bold prediction and do not know what the rest of the year holds for highly anticipated music releases, but I believe Fill This House may net the reigning queen of gospel Grammy number twelve. 

Favorites
“It’s Alright, It’s OK” – “Need Him Now”

Fever Meter
SWELTERIN’ (5 of 5 Stars)
 

John Thorpe and Truth, Chosen Live DVD Recording Recap

John Thorpe and Truth
John Thorpe and Truth | Photo Credit: Libra Boyd

By Libra Boyd
Gospel Music Fever

A modest crowd of roughly 250 traditional gospel enthusiasts gathered at Roxboro’s Kirby Theater Saturday night (July 16) for the live DVD recordings of John Thorpe and Truth of Rougemont, NC, and Chosen of Wilkesboro, NC.  Radio announcer David Ramsey and Bishop D.T. “Dynamite” Johnson served as emcees for the evening.

The one-hour late start caused restlessness among some in the audience, but they appeared to be instantly refreshed by the live music performances of area artists Chozen Phaze II and saxophonist James Brown, who opened the concert.

Once John Thorpe and Truth took to the stage—about 55 minutes after the late start—they wasted no time moving through the first of two five-song sets, beginning with “I Don’t Mind,” followed by the bluesy “Child of God.”  Both numbers are from an album recorded with his siblings, John Thorpe and Family Live with Dr. Bobby Jones, and are fan favorites. Still, it was the perennial hymn “Old Rugged Cross” that shifted the somewhat constrained atmosphere into extended worship.  Thorpe brought out his son Jonathan (of James Hall & Worship and Praise) to share the lead.  Jonathan’s velvet tenor was a stark contrast to his dad’s gritty baritone, but the duet was nonetheless palatable.  The worship that ensued cued a reprise before the group finished out its opening set with downhome hand-clapper, “Do What the Lord Say Do.”

Chosen
Chosen | Photo Credit: Libra Boyd

While John Thorpe and Truth recessed for a wardrobe change, Chosen began its 10-song set, which included a mix of original tunes and covers of “What He’s Done for Me” (Lisa Knowles and The Brown Singers), “Thank You” (Tim Rogers and The Fellas), “Meet Me at the Gate” (B.T. Green and the Christian Harmonettes), and “Old Landmark” (Tammy Edwards and the Edwards Sisters).  An unhurried song of assurance, “Jesus is Standing There,” especially resonated with the intimate crowd:

You feel all alone sometimes, and you don’t know what to do, but still
Jesus is standing there
I’ve got friends, they’ll turn and walk away from you, but still when they walk away
Jesus is standing there
Call Him in the morning
Call Him late at night
Oh Jesus is standing there

The song’s lead singer Marshall Parks shared with the audience afterwards, “A whole lot of folks sing songs that sound good; but I want to sing a song that says something.”  When the lead mic was passed to Quinda Parks, she emphasized that Chosen came to have church.  I was convinced.  Their sermonettes, testimonies, praise break, and the atmosphere of an old-fashion revival as they neared the end of their set were proof positive.

As the night drew to a close, John Thorpe and Truth returned to complete the final set, opening with the lively title track from their current CD, “Stay with Jesus” and ending with “Thank You,” reminiscent of soul singer Eddie Floyd’s “Knock on Wood.”

Both group’s recordings will be released as individual “live” CD and DVD projects in association with Light of Day Productions, LLC.  To pre-order, visit the artists’ websites at www.johnthorpeandtruth.com and www.chosen-ministries.com.

"I'm A Winner" – Tonya Lewis-Taylor

Tonya Lewis-Taylor "I'm A Winner" art work“I’m A Winner”
Tonya Lewis-Taylor
From the upcoming EP, I’ve Got to Win (2016)
www.tonyalewistaylor.com

By Libra Boyd
Gospel Music Fever

“I’m A Winner” is the uptempo inspirational debut single from Tonya Lewis-Taylor’s forthcoming EP, I’ve Got to Win.

Abundant with self-affirmations, Tonya (pronounced Tone-yah) makes one declaration after another, echoed by her background vocalists:

“I can do all things through Christ…”
“I can be whatever He wants me to be…”
“I can have whatever He wants me to have…”
“I’m the head and not the tail…”

Tonya wrote and co-produced “I’m A Winner” with Martin Christie and her husband J.P. Taylor.

"All Day Long" – The Rance Allen Group

All Day Long art work The Rance Allen Group“All Day Long”
The Rance Allen Group (2016)
www.tyscot.com

By Libra Boyd
Gospel Music Fever

“Is there anybody out there who could literally sing God’s praises all day long?”  Bishop Rance Allen asks the lively San Francisco audience.  The crowd’s response is a resounding “Yes!”  What follows is “All Day Long,” a CCM styled worship tune stamped with the signature sound of the multi-Stellar Award winning Rance Allen Group.

“All Day Long,” written by Brittney Byrd Campbell, Chris Byrd, and Rance Allen, is the first single from the Rance Allen Group’s forthcoming album, Live from San Francisco.