Tag: Reviews

Sizzlin’ This Week (7/25/11) – “Lord Save Me”

“Lord Save Me”
Todd Curry & Focus
From the upcoming project, Quit Playin’ Church (2011)
www.quitplayinchurch.com

Character and “pure” ministry are the pulse of music ministry for Todd Curry & Focus–no wonder the ensemble’s new project is titled Quit Playin’ Church and the lead single is “Lord Save Me.”

“Lord Save Me,” written and arranged by Cornelius T. Purcell, is a fervent prayer from the heart of a sinner in the first verse and a christian who lives in a world where temptation is ever present in the second.  Each leads to a sincere appeal for salvation: “Lord save me / Wash away my sins / Free me from the bondage of the sinful life I’m living…”

A goal of Curry, who is an ordained elder, and his Greensboro based urban gospel group is for “Lord Save Me” to cross cultural lines with its sound and message.  Mission accomplished.  The melody is simple, the lyrics are powerful, and the song is a timely reminder that in whatever state we find ourselves, saint or sinner, we will never outgrow our need for Jesus Christ and His saving power.

“I Believe” – Praises of Zion

“I Believe”
Praises of Zion
From the CD, I Believe (2010)
Savoy Records

Praises of Zion may not be on your personal playlist–yet. Put ’em there.  The bouncy “I Believe” is one tune from their current project (by the same name) that is infectious.

On the title song, Wayne Robinson leads the choir in acknowledging their trust in the promises of God in celebratory fashion.

“I read Your letter sent from above / Every single word tells of Your love / No longer doubting the path I go / All is in Your hands and that I know.”

Recorded live at The First Cathedral in Bloomfield, CT, on the Savoy label (a Malaco subsidiary), “I Believe” is Praises of Zion’s personal approach to a very public praise.

Sizzlin’ This Week (7/11/11) – “It Was A Great Thing”

“It Was A Great Thing”
Rev. F.C. Barnes & the Red Budd Combined Choir
From the CD, “LIVE” featuring “Rough Side of the Mountain” (1994)
www.malaco.com

Bishop F.C. Barnes transitioned in the early hours of yesterday morning at the age of 82 (see the related post here), but not before leaving a rich legacy to be remembered for years to come.

Bishop Barnes founded Red Budd Holy Church in Rocky Mount in 1959.  This week’s pick, “It Was A Great Thing,” features him with the Red Budd Combined Choir.

Thank you, Bishop Barnes, for reminding us of the mercy of Jesus Christ.  Yes, it was a great thing that He did for us!

“Peace in the Valley” – Raymond Silver

“Peace in the Valley”
Raymond Silver
From the CD, Use Me (2010)
http://raymondsilverproductions.com

“Peace in the Valley” is a timeless hymn that has been covered by the likes of Mahalia Jackson (for whom it was written), Red Foley, Pat Boone, Dolly Parton, Randy Travis, Loretta Lynn, Take 6, The Soul Stirrers, Elvis Presley, and no less than a score of others.

Now you can add Raymond Silver to the roster.

On his current CD, Use Me, the multi-talented Silver delivers his own interpretation of the Thomas Dorsey classic.  Silver’s arrangement is faster, but he handles the traditional gem with care, as if the composer is within earshot.  Most of Silver’s liberties are taken in the vamp (the repeated phrase “in the valley”) as he chronicles all the glooms he’ll abandon and joys he’ll embrace upon entering into eternal peace.

Hearing this version of “Peace in the Valley” 70-plus years after it was written, I think Rev. Dorsey would be pleased.

Sizzlin’ This Week (7/4/11) – “When the Saints Go Marching In”

“When the Saints Go Marching In”
Louis Armstrong
From the CD, Hallelujah!: Gospel 1930-1941 (2002)
Frémeaux & Associés

Louis Armstrong frequently said his birthday was July 4, 1900.  In the mid 1980’s–many years after his death in 1971–baptismal records revealed his true birthdate was in fact August 4, 1901.

In honor of the iconic jazz trumpeter’s unofficial birthday and in celebration of his contributions to American music, my pick this week is Satchmo’s version of the gospel classic turned jazz standard, “When the Saints Go Marching In,” from the CD compilation Hallelujah!: Gospel 1930-1941.

“Resurface” – SkyWay Rec

“Resurface”
SkyWay Rec
From the upcoming CD, Resurface (Available August 20, 2011)
www.skywayrec.com

The hook is, “I’ve been hard at work (work) / Watch me resurface.”  It’s more than just the hook for his brand new single “Resurface” though.  The work that Christian artist SkyWay Rec raps about is one that began with singing and playing and has grown into a ministry relevant to his generation.  Even his stage name bespeaks that, which SkyWay Rec explains.

“When I write, sing, rap or produce, I am in the clouds colliding with God in the spirit!  [The name] is the meaning of me and God connecting in the spirit to bring forth what He is saying to the world; hence the name SkyWay Rec.  It’s the best ‘wreck’ anyone could ever have!”

“Resurface” is performed alongside slick beats and production with a message that’s hip and hopeful, telling of a renewed sense of purpose.  SkyWay Rec’s purpose, of course, is to change lives, break strongholds, and rep the Father.

Resurface, the full-length CD, drops August 20th.

"Put It On the Altar" – Jessica Reedy

“Put It On the Altar”
Jessica Reedy
From the upcoming CD, From the Heart (Available Sept. 27, 2011)
http://www.lightrecords.com

I learned two things about Jessica Reedy while watching Sunday Best.  First and foremost, the girl can sing; after all, she snagged the runner-up spot amid hefty competition.  Secondly, the sister can arrange; surely, you remember her version of the Williams Brothers’ “I’m Still Here” and her infusion of neo-soul into both the lead and harmony vocals.

Hark!  Reedy has revealed another fact to her fans: she is a pretty good songwriter.  Along with Tony and Nakeia Homer, Reedy has penned “Put It On the Altar,” the second single from her forthcoming debut project, From the Heart.

“Put It On the Altar” is uplifting with a feel-good vibe that we haven’t heard a lot in Reedy’s musical selections so far. The music itself is both fun and nostalgic; crisp horns, a warm electric guitar, block piano chords, and the 2-5-1 turnaround channel Motown circa 1970.

Reedy’s syncopated delivery and signature low register, which magnetized thousands of Sunday Best viewers in season two, are sure to have “Put It On the Altar” heating up radio throughout the summer.

Sizzlin’ This Week (6/27/11) – “Like A Ship”

“Like A Ship”
Maggie Ingram & The Ingramettes
From the vinyl LP, The Miami Riot (1987)
AIR Records

I grew up listening to and enjoying Maggie Ingram and the Ingramettes.  So, I guess it sounds just a little bit odd to say that I attended my first Maggie Ingram concert by accident; but I did.

Yep, it was one summer about nine years ago, and our men’s choir had been invited to a musical at Rogers Grove Church International in Durham.  That afternoon, the choir and I arrived to find that we were among many groups and choirs also scheduled to perform.  I must confess that I was not at all interested in spending my entire Sunday evening at church, and after our choir sang, I was ready to leave.  Because I felt badly about wanting to bounce immediately afterward though, I stayed a little longer in support of the other singers and musicians.

After an eternity, which was really only a few groups later, I decided it was time to go.  (There’s only so much “Did’ya, did’ya, did’ya get that power?!” I can take at these quartet-styled musicals.)  With one hand on my gig bag and the other on my head, I scurried down the aisle.  Just as I got to the exit, I heard, “Maggie Ingram and the I-i-i-i-ngra-a-a-m-ettes” roar from the emcee’s mouth.  I stopped in my tracks, spun around and said, “Wha-?!  Maggie Ingram is here?!  Not ‘Richmond, Virginia Flood’ Maggie Ingram?!”

Yes, “Richmond, Virginia Flood” Maggie Ingram.  I couldn’t get back to my original seat, up front, fast enough; I scurried back up the aisle as quickly as I had scurried down seconds earlier.  This was a lady whose songs–“Like A Ship,” and her older cuts “When Jesus Comes,” and “Got A Mind to Serve the Lord”–blared nearly every Sunday morning on my Smurf novelty transistor radio.

Well let me tell you, despite disobedient mics and a half-filled sanctuary, the statuesque COGIC evangelist and her family wrecked the house–even treating the congregation to a portion of “Richmond, Virginia Flood,” climaxed by the hard-driving “Nobody’s Fault But Mine.”

Maggie Ingram and the Ingramettes are still going strong after more than five decades (even longer for the GMWA Lifetime Achievement Award recipient herself).  My pick this week is “Like A Ship” from the group’s most successful album, The Miami Riot, which reached #33 on the Billboard gospel music chart in 1988.

SuperNova – Tre Cosmos

Tre Cosmos
SuperNova

CosMuzik UniverseCity (2011)
www.cosmuzik.com
By Libra Boyd
Gospel Music Fever

The word “Cosmos” may sound like a space term, but according to the bio of Tre Cosmos, “in its original Greek form, the word meant divine order, purpose, and all creation. The people in those times who believed that there was an all-powerful being who created the Heavens and the Earth in its divine order believed in the Cosmos.” Tre Cosmos believes that everything and everyone has a purpose and that God created it to be exactly what it is now.

In late 2009, the multi-talented singer, writer, rapper, and producer rededicated his life (and gift) to Christ and decided to only make music that glorifies Him. At that time Tre Cosmos fully emerged, not just musically, but as a whole new way of living.

The self-proclaimed Christian Indie-Alternative Hip-Hop artist rightfully entitled his debut album SuperNova, released under his indie label CosMuzik.  All songs were written, performed, composed, and produced by Tre Cosmos.  Recorded at Spotlight Music Studios by Aaron Walker, SuperNova features elements such as acoustic pop, electro hip hop and techno, urban crossover and R&B, neo-soul, virtual orchestra, spoken word, alternative rock, and, well, genres not yet known to man.

One standout on the 12-track project is the melodic, fast moving “Dancing in Heaven” and its contrastingly slow string-laced musical postlude that turns the song into something beautifully angelic.  Other notables include the acoustic guitar driven “Hello World” and “It’s Crazy,” which showcases Tre Cosmos’ talent as both a singer and a rapper.

Tre Cosmos doesn’t want to be put in a box.  I don’t think he has that to worry about; what on earth, or in heaven, can contain a supernova?

Favorite
“Hello World”

Fever Meter
SIMMERIN’ (3 of 5 Stars)

Sizzlin’ This Week (6/20/11) – “He Did It For Me”

“He Did It For Me”
Castro Coleman and Highly Favored
From the CD, Time Out!!! (2009)
http://catcolenation.com/

Castro Coleman is busy these days.  He and his group, Castro Coleman and Highly Favored, have a packed summer schedule; he is on the road (or more fittingly, in the air) with The Melvin Williams Group as a US music ambassador through The Rhythm Road: American Music Abroad; and the man owns his own label, Baby Boy Records.

He definitely has the means to release his creative energy, and that’s exactly what he’s done with “He Did It For Me” from his Time Out!!! project.

“He Did It For Me,” which he labels “New Motown,” resembles cuts by guy groups from the mid to late 1960’s and is rich with a horn section (sax and trombone) and Funk Brothers-like percussion (triangle, hand claps, and a tight crisp snare–where’s the tambourine?).  More noticeably, “He Did It For Me” is a mid-tempo feel-good ode of gratitude: “I can’t take the credit for what I have/Said my blessings keep coming through/And I realize that everything in my life–oh–is because You did it for me.”