Rev. James Herndon of the famed Caravans (1959-1967), and the Interdenominational Male Chorus gave a rousing concert Sunday afternoon at Durham’s Mt. Gilead Baptist Church. Under Rev. Herndon’s direction, the chorus’s performances included hymns as well as classics by Jessy Dixon (“I Am Redeemed”), Albertina Walker (“I Can Go to God in Prayer”), Alvin Darling (“All Night”), and Walter Hawkins (“Marvelous”). In addition to directing, in trademark fashion, Rev. Herndon moved the audience with his sermonic introductory narratives to each selection.
The Interdenominational Male Chorus was founded in the Triangle area in 2002. The choir’s accompanist is Lennis Cooper, Jr.
Also appearing on the program was the soulful female quintet, Powerful Elegance.
Libra Nicole Boyd, PhD is a musician, award-winning author, gospel music aficionado, and the founder and editor of Gospel Music Fever™. Her commitment to journalistic integrity includes bringing you reliable gospel music content that uplifts and advances the art form. Libra is presently working on several scholarly projects about gospel music in the media as well as gospel music in social movements.
“How Many Will Be Remembered?”
Shirley Caesar
From the DVD, After 40 Years: Still Sweeping Through the City (2007) Light Records/Shubel
Originally released in the 1970’s on vinyl, “How Many Will Be Remembered?” is dually a salute and a poignant reminder of all the unheralded heroes and heroines who have made sacrifices for the good of mankind.
The song’s lyrics prove to be both timeless and timely. “How Many Will Be Remembered?” tops my personal video playlist for this week as we celebrate the recent Dr. Martin Luther King, Jr. Memorial dedication, and as we commemorate the tragedies of September 11, 2001.
You can watch Pastor Caesar’s performance of the song here.
Libra Nicole Boyd, PhD is a musician, award-winning author, gospel music aficionado, and the founder and editor of Gospel Music Fever™. Her commitment to journalistic integrity includes bringing you reliable gospel music content that uplifts and advances the art form. Libra is presently working on several scholarly projects about gospel music in the media as well as gospel music in social movements.
If there’s one thing I celebrate about Kirk Franklin, it’s the consistent quality of his music. Some say that his material hasn’t been all that great since his days with The Family; I’m not sure what specific contrasts his critics are making.
I am sure, however, that each of Kirk’s albums gives me a greater appreciation for the clarity of his messages about Jesus through relevant themes, relatable lyrics, and a radio-worthy musical soundtrack.
Who can’t use an encouraging word these days? This is why “I Smile” is my pick this week. It’s awfully hard not to feel better–and “look so much better”–when you smile.
Libra Nicole Boyd, PhD is a musician, award-winning author, gospel music aficionado, and the founder and editor of Gospel Music Fever™. Her commitment to journalistic integrity includes bringing you reliable gospel music content that uplifts and advances the art form. Libra is presently working on several scholarly projects about gospel music in the media as well as gospel music in social movements.
Thankfully, the modest structure of Timberlake, NC’s New Hope Person Missionary Baptist Church is still intact after the major house-wrecking that occurred there Saturday night, August 20th.
The occasion was an appreciation musical for John Kermit Thorpe, lead singer of sibling group, the Thorpe Family and a long-time member of the Brower Brothers of New Jersey. The four hour celebration, emceed by WRXO’s David Ramsey, featured hard-driving quartet music from the Thorpe Family, New Hope Person Male Chorus–of which Thorpe is also a member, the Spiritual Lights of Rougemont, New Creation, the True Lights of Bahama, the Spiritual Messengers, 14 year-old Tahmique Cameron, and Minister Brenda Hunt-Moore, who when describing Thorpe’s passion, commented that he is the only person she knows who will travel “a thousand miles to sing one song, won’t get paid a dime, and will come back just as happy as he can be.” Among several other tributes and presentations–some tearful and some humorous–were congratulatory letters from Mayor Bill Bell of Durham and the Durham County Board of Commissioners, and special remarks from host pastor, Rev. W.L. Richardson.
At the close of the evening, Thorpe expressed his gratitude to the near capacity crowd before singing “Child of God” from his CD In His Name, followed by James Fortune’s “I Believe” as a special dedication to his wife, Stella.
Thorpe was honored for his community involvement, his dedication to gospel music, and his contributions throughout the east coast in advancement of the art form.
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Below left: James Thorpe (left) and brother McCollins transform “He Understands, He’ll Say ‘Well Done'” into a high-gear foot stomper with the Thorpe Family.
Below center:RuBena Cooper-Woods (front) loosens the ceiling tiles with “I’m Working on the Building.” The group New Creation was among the house-wreckers at John K. Thorpe’s appreciation musical. The honoree is in the background, behind Cooper-Woods, looking on.
Below right: John and Stella Thorpe enjoy one of the numerous tributes of the four-hour service.
Libra Nicole Boyd, PhD is a musician, award-winning author, gospel music aficionado, and the founder and editor of Gospel Music Fever™. Her commitment to journalistic integrity includes bringing you reliable gospel music content that uplifts and advances the art form. Libra is presently working on several scholarly projects about gospel music in the media as well as gospel music in social movements.
George Dickens, Jr. is the Stellar Award-winning songwriter behind Keith “Wonderboy” Johnson’s hit song “I Made It,” from his 2006 Just Being Me album (also featured on WOW Gospel 2007). The Oak City, NC native is also a frontman and songwriter in his father’s group, George Dickens and the Gospel Disciples.
His recent effort is a solo project, The Signature of “G” which features “Turnin’ Things Around.” An uplifting mid-tempo tune from start to finish, Dickens testifies of God’s provision and protection before cruising into a vamp that deposits in the spirits of all who’ll believe: “He’s turnin’ things around,” “He’s workin’ it out,” and “I can feel it!”
With Dickens’ Keith “Wonderboy” Johnson-esque lead, tight background vocals, and a laid-back yet forward-moving music arrangement laced with a sweet rhythm guitar, “Turnin’ Things Around” is my pick this week!
Libra Nicole Boyd, PhD is a musician, award-winning author, gospel music aficionado, and the founder and editor of Gospel Music Fever™. Her commitment to journalistic integrity includes bringing you reliable gospel music content that uplifts and advances the art form. Libra is presently working on several scholarly projects about gospel music in the media as well as gospel music in social movements.
“Work It Out”
Evelyn Turrentine-Agee
From the CD, There’s Gonna Be A Meeting (2010) www.shanachie.com
She’s called the “Queen of Quartet.” There’s a good reason for that–actually there are several. Her smash hit “God Did It” is just one. Her current foot-stomper “Work It Out” is another.
Turrentine-Agee just knows what to do with a quartet groove. You won’t catch her over-singing and you won’t find her doling out random phrases just to fill up a run and shout an audience. She doesn’t utilize showy stage antics. She just ministers with conviction, out of her own experiences with her personal testimonies: “My children needed shoes/My home was in a mess/God worked for me…”
“Work It Out” is everything quartet: hand claps, toe taps, a rhythmic lead guitar (Alton Hollis), call and response, and a run that will move the hatted church mothers into the aisles in a holy dance.
Libra Nicole Boyd, PhD is a musician, award-winning author, gospel music aficionado, and the founder and editor of Gospel Music Fever™. Her commitment to journalistic integrity includes bringing you reliable gospel music content that uplifts and advances the art form. Libra is presently working on several scholarly projects about gospel music in the media as well as gospel music in social movements.
People from all over the country packed the pews of Trinity United Church of Christ Tuesday and Wednesday evening to celebrate the life of gospel music way-paver, Delois Barrett Campbell, the “Royal Lady of Gospel.” Many around the world watched online; so many in fact, that Trinity’s website crashed due to the volume of viewers. Lady Delois, of the internationally renowned Barrett Sisters and formerly of the trailblazing Roberta Martin Singers, passed August 2. She was 85.
Tuesday night’s musical tribute was a celebration of lively music and hearty laughter as Lady Delois was fondly remembered for her vocal prowess, her elegance, and her endearing presence. Musical salutes were given by Chicago’s First Church of Deliverance Choir, psalmist Tanya Ray, the Gospel Music According to Chicago (GMAC) Choir, and Quinton Washington, who sang in Jennifer Hudson’s absence.
The Brown Sisters
In salute to Delois Barrett Campbell and The Barrett Sisters, who are cited as influences on today’s gospel sister groups, the sensational Brown Sisters took to the platform and immediately brought the crowd to its feet with a medley of the Barrett Sisters’ “I’ll Fly Away (Lord, Give Me Wings)” and “I’ve Got A New Home.” The remaining sisters Rodessa Barrett Porter and Billie Barrett GreenBey stood, swayed, clapped, and grinned as the Browns led the celebratory audience down memory lane.
Other musical performances were given by the amazing Kim Stratton, Cathy Townsend, Rev. Issac Whittmon, Chris Gardner, Reginald Finley, Wooten Choral Ensemble, Penny Jeffries, Milas Armour, Pastor Ray Berryhill and Evangel World Outreach Ministries, Dexter Walker & Zion Movement and Lady Delois’s cousin Ron Barrett.
It was the Rev. Stanley Keeble’s recounting of Jessy Dixon’s “The Wicked Shall Cease from Their Troubling” that caused the church to explode in praise. Keeble opted not to sing the song, but no sooner than he completed his remarks and laid the mic down, the church became one huge mass choir and broke spontaneously into the song’s chorus. Pastor DeAndre Patterson, one of the evening’s emcees, brought Keeble back at least twice to sing the verses, and the house erupted in jubilation. The Campbell daughters as well as Barrett Sisters member Tina Brown were among the many dancing in the spirit. It was just the kind of rejoicing that Lady Delois would want – and perhaps prayed for – at her homegoing.
Sue Campbell-Ladd
The evening was not without laughter as Lady Delois was remembered for her big hair and long eyelashes, her skills in the kitchen (especially her soul food), and her sense of humor. The evening’s funniest remembrances were shared by her oldest daughter, Dr. Sue Campbell-Ladd, who recalled her mother’s enjoyment of talking on the phone, insistence that her daughters “learn to be on time,” and love of sports, particularly the Chicago Bulls.
“When my father would walk into the living room, he’d say, ‘What’s the score?’ My mother would say, ‘186 to 42. The Bulls are winning.'” The audience roared. Ladd added, “They were always winning–to her.”
Other warm memories were expressed by gospel music historians Nash Shaffer and Professor L. Stanley Davis, radio personalities John Hannah and Effie Rolfe, Bishop Larry Trotter, and the evening’s emcees Pastor Patterson and Art Norman. A host of notables were also in attendance. Among those I spotted were Caravans members Inez Andrews and Delores Washington, Lady Lou Della Evans-Reid, Walt Whitman, Rev. Jolinda Wade, Ricky Dillard, Lexi, Pastor Dan Willis, Rev. Jesse Jackson, Calvin Bridges and Bishop Otto Houston, III.
In a rousing finale, the Barrett Sisters–Porter and GreenBey along with Tina Brown, who was hand-picked by Lady Delois as her stand-in vocalist–were escorted to the pulpit, donning the royal color of purple like the rest of their family and friends, to perform their popular number “Jesus Will,” backed by the Trinity United Church of Christ Choir. The bereaved sisters were embraced by a standing congregation and uplifted by supernatural strength; in response, they delivered a healthy dose of encouragement in their own classy and musically excellent way.
‘Twas the night of a fitting tribute to a royal lady.
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Wednesday’s homegoing service of nearly four hours was the continuance of celebration thanking God for the life and legacy of Delois Barrett Campbell. Prominent clergy, politicians, and gospel singers came to pay homage while the main floor and balcony of the Trinity UCC sanctuary was again filled with family, friends, and admirers.
Anthony Heilbut
Among the numerous spoken-word tributes was a beautifully delivered recitation of “God Saw You Getting Tired” by Lady Delois’s 13 year-old granddaughter, Nailah Harris, and an audio message from the “Queen of Soul” Aretha Franklin. George Nierenberg, who directed the critically acclaimed 1982 documentary, Say Amen, Somebody, which skyrocketed the Barrett Sisters to international fame, shared accounts of his personal interaction with Lady Delois and her sisters during the making of the movie. Anthony Heilbut, author of The Gospel Sound, escorted the congregation to yesteryear, playing Lady Delois’s very first solo recording with the Roberta Martin Singers in 1947, and her last, about 50 years later. This was one of several highlights, as members of Wednesday’s audience could be heard saying, “Go ‘head ‘Lois,” “You betta sing!” and “That’s alright, Mama” while listening to her voice soar and then settle back into sheer sweetness on the recordings.
Romance Watson
Other musical highlights include vocalist Kathy Taylor’s passionate delivery of “The Corinthian Song.” It was rafter-rattling; many of the worshippers could have used a psalmic selah afterwards. “He Looked Beyond My Faults,” a flawless performance by Lady Delois’s contemporary, Romance Watson of the famed Roberta Martin Singers, was accompanied by a thunderous standing ovation that continued as he exited the sanctuary. (He apologized for being hoarse.) I can only imagine that Lady Delois brought the house down in like fashion with her God-given singing virtuosity at the many funerals for which she sang through the years.
Daughters Mary and Sue
Angela Hunt, the Caravans’ Delores Washington, the Carson Sisters, Tina Brown of the Barrett Sisters, and Pastor DeAndre Patterson also comforted the family with musical selections between tributes, readings, and words of comfort from Trinity’s pastor, Rev. Otis Moss, III. One special reading was a letter of condolence from President Barack and First Lady Michelle Obama.
As the evening drew to an end, those “Sweet Sisters of Zion” graced the pulpit to perform the final musical tribute, “God Be With You Til We Meet Again.” Despite being grief-stricken, when the Barrett Sisters opened their mouths, their countenances lifted and their harmonies rang. As they approached the final notes of the song they’ve closed concerts with time and time again, Ladies GreenBey, Porter and Brown bowed. It was a most moving moment for me. This time, I sensed that they bowed not to receive recognition from their audience of admirers for a job well done. Rather, they bowed in salute to gospel music royalty – for her job well done.
Members of The Barrett Sisters singing group, Rodessa Barrett Porter (foreground), Billie Barrett Greenbey (right), and Tina Brown (left).
Family and friends prepare for the recessional as Trinity’s choir sings “I’ve Got A New Home”.
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Lady Delois is escorted to Oak Woods Cemetery, her resurrection site (as described by Apostle Richard Henton), on Thursday, in a horse drawn carriage.
Photos by photographer David Spearman where noted. GMF thanks him for granting us permission to publish the photos with this story.
Libra Nicole Boyd, PhD is a musician, award-winning author, gospel music aficionado, and the founder and editor of Gospel Music Fever™. Her commitment to journalistic integrity includes bringing you reliable gospel music content that uplifts and advances the art form. Libra is presently working on several scholarly projects about gospel music in the media as well as gospel music in social movements.
My pick this week differs from the usual in that it has not yet been recorded. Well, actually, Lionel Richie’s “Jesus Is Love” has been recorded, first by his own funk/soul group The Commodores in 1980, and later by several other artists both secular and gospel, including Melvin Williams and Smokie Norful & Heather Headlley. Richie himself also performed it at the memorial service of his friend Michael Jackson.
My pick, however, is the one performed by none other than “Mama” Sue Roseberry last night on BET’s Sunday Best. Honestly, the song has never been one of my favorites. I know. I’m probably the only one who thinks “Jesus Is Love” is an okay tune, but nothing extra.
Until last night.
Roseberry’s styling and ad libs were nothing short of brilliant, as she embarked upon making it more “wedding-y” (her word) to keep with the show’s “I Do” theme week. It was enough to stir Donnie McClurkin–and not exactly in the Holy Ghost, either. In fact, I wrote to BET. Well, it was really a status update on my Facebook wall:
Dear BET Sunday Best: Mama Sue needs to record that NOW!!! I don’t even like that song, but her version should become the definitive!
I’m telling you, Fever readers, Mama Sue’s cover of “Jesus Is Love” is a hit waiting to happen.
Libra Nicole Boyd, PhD is a musician, award-winning author, gospel music aficionado, and the founder and editor of Gospel Music Fever™. Her commitment to journalistic integrity includes bringing you reliable gospel music content that uplifts and advances the art form. Libra is presently working on several scholarly projects about gospel music in the media as well as gospel music in social movements.
“I Got A Friend”
The New Pearly Gates
From the upcoming CD, Through It All (2011)
The New Pearly Gates of Suffolk, VA are gearing up for the release of a brand new CD. In the meantime, I’m listening to the single, “I Got A Friend,” and I dig it.
There’s nothing fancy about it, and that’s a good thing. Sometimes less is more. “I Got A Friend” has a simple hook, easy-to-learn verses and a pretty basic chord structure. It’s an uptempo declaration of the unfailing devotion of Jesus, and we all can testify to that!
Libra Nicole Boyd, PhD is a musician, award-winning author, gospel music aficionado, and the founder and editor of Gospel Music Fever™. Her commitment to journalistic integrity includes bringing you reliable gospel music content that uplifts and advances the art form. Libra is presently working on several scholarly projects about gospel music in the media as well as gospel music in social movements.
“Fly Again”
Sounds of Blackness
From the upcoming CD, The Sounds of Blackness (Fall 2011) www.malaco.com
Sounds of Blackness was recently signed with Malaco Music Group (see related post here), and the choir is already set with its debut single “Fly Again” from its forthcoming self-titled CD.
“Fly Again” features Jamecia Bennett, daughter of longtime Sounds of Blackness powerhouse Ann Nesby and mother of American Idol Season 5 sensation Paris Bennett.
The apple doesn’t fall far from the tree, and like her mother, Jamecia Bennett delivers a signature sound of soulful singing, colorful phrasing, and stirring ad libs on this midtempo inspirational track, all alongside the choir’s staccato vocals which soar to their summit with, “Just hold on and be strong / You hold the key to your victory / Keep your head up to the sky / You’re gonna fly / You’re gonna fly!”
According to Gary Hines, the group’s music director and producer, the single is dedicated to Malaco and to people across the country and world “who have recently suffered unfathomable devastation. Together we will all soon be able to ‘fly again!'”
The release of the full length CD The Sounds Of Blackness coincides with the 20th anniversary of the group’s landmark album The Evolution of Gospel (which features the hit “Optimistic”), and the 40th anniversary of the group’s inception.
Expect to hear “Fly Again” all over radio the first of August.
Libra Nicole Boyd, PhD is a musician, award-winning author, gospel music aficionado, and the founder and editor of Gospel Music Fever™. Her commitment to journalistic integrity includes bringing you reliable gospel music content that uplifts and advances the art form. Libra is presently working on several scholarly projects about gospel music in the media as well as gospel music in social movements.