“Greater Is Coming” – Jekalyn Carr

“Greater Is Coming” [Album Version]
Jekalyn Carr
From the upcoming CD, Greater Is Coming (Spring 2013)
http://myjekalyncarr.net

Jekalyn Carr Greater is Coming art work
Jekalyn Carr’s résumé resembles that of someone who’s been in the business for as long as she is old.
 
A frequent psalmist at Benny Hinn crusades, a fiery evangelist whose YouTube videos show her preaching preceding generations into frenzies, and a special musical guest on the Word Network, the 15 year-old diminutive dynamo makes quite an authoritative declaration with the single “Greater Is Coming,” from her forthcoming CD of the same title.
 
Jekalyn pours every ounce of conviction she can muster into this worshipful ballad of affirmation to proclaim that “greater” is just over the horizon.  Her intensity is palpable as she announces, “Look out World, here comes your Healer!  Look out World, here comes your Deliverer!”
 
Look out World, here comes powerhouse Jekalyn Carr.

Detroit Free Press interviews Thomas M. Dorsey, son of “Precious Lord” composer

Professor Thomas A. Dorsey (1899-1993)
Cassandra Spratling of Detroit Free Press talks with the only son of Professor Thomas A. Dorsey–Thomas M. Dorsey–about his father’s legacy and the lasting impact of one of the most beloved hymns in all of gospel.
Professor Dorsey, The Father of Gospel Music, composed “Take My Hand, Precious Lord” in 1932, in response to the passing of his wife who died in childbirth and their newborn baby who died shortly afterwards.
Read the interview here.

"Living Right" – Kirby Wills and Southern Sound

“Living Right”
Kirby Wills and Southern Sound
From the CD, Living Right (2012)
Indie

Kirby Wills and Southern Sound

One need not look far to behold the atrocities of a society in moral decay.  Yet, as voices crying in a 21st century wilderness, Kirby Wills and Southern Sound present the sobering question: “What’s wrong with living right?”

“Living Right” written by Bill Adams, is the title track of the Durham group’s southern gospel CD and is performed by Wills–who could’ve easily enjoyed mainstream success as a country artist. Pianist Angela Fluet offers vocal harmony support in the chorus.  While Wills and Fluet are the dominant voices on the song, the entire band is filled with singers and musicians, all of whom serve the First Pentecostal Church of Durham.

Fluet describes their music as multi-genred, encompassing southern gospel, bluegrass, and rockabilly, but there is no question about the singular message of “Living Right.”  The message is holiness: Not a denomination, but a lifestyle.

Mary Mary reality show renewed for third season

(New York, NY)  WE tv announced today that the women’s network has greenlit a third season of its popular docu-series, Mary  Mary, just
ahead of the season two finale airing tomorrow night, February 28 at 9 PM, ET/PT.   WE tv has ordered 10, one-hour episodes.  Production will
begin in Los Angeles in mid-March.


Commented Lauren Gellert, WE tv’s SVP of original production & development:  “During the current season of Mary Mary, viewers
witnessed two incredible births: Tina’s baby boy and  Erica and Tina’s
hit single, ‘Go Get It,’ which went on to win the duo a Grammy Award. 
It’s exactly this type of dimensionality that WE tv spotlights in women.
 Erica and Tina juggle their lives with grace and style; they are
amazing role models for today’s young women and a great addition to WE
tv.”


Added Erica Campbell: “We’re so excited about the next season as we
enter a new phase in our lives and careers. This past year has been
both overwhelming and exciting and we were happy to share those moments
with our fans.  We are grateful to provide viewers with an honest look
into who we are and how we handle our differences, and we hope to
continue to inspire and encourage people through our show in addition to
our music.”
Mary Mary is produced for WE tv by eOne Televison, executive
produced by Erica Campbell, Tina Campbell, Tara Long, John Morayniss,
Eric Hoberman and Mitchell Solarek.  Kate Farrell serves as the
executive producer for WE tv.

Got Black gospel music?

Professor Robert Darden of Baylor University is looking for vintage gospel music, mainly from the 1940’s through the 1980’s, for the university’s Black Gospel Restoration Project.  Visit the site for more information about the project and ways to loan or donate materials.

WNCU’s Carolyn Pettiford-Ryals celebrates 15 years in radio with musical – March 16

Click to Enlarge
Carolyn Pettiford-Ryals is known throughout NC’s triangle area as the “Queen of Gospel Radio” as well as one of two infectiously upbeat hosts of the “Hallelujah Praise” radio show, which airs every Sunday morning on WNCU 90.7 FM.  This year marks her 15th as an on-air personality, and she will be honored with an appreciation musical Saturday, March 16, 2013 at 5 PM.  The event will take place at the Person County Office Building Auditorium in Roxboro, NC.
 
Among the groups and soloists set to appear are The Friendly 5, The Spiritual Lights, Second Chance, New Creation, The New Joylette Singers, The Bradleys, All God’s Children, Michael Whitfield, John Thorpe & Truth, and Minister Carolyn Satterfield.
 
GMF congratulates Carolyn Pettiford-Ryals!

Cleotha Staples of the Staple Singers, dead at 78

From left: Cleotha, Mavis, Yvonne, and Roebuck “Pops” Staples.

By Bill Carpenter

Cleotha “Cleedi” Staples, a founding member of the pioneering folk-gospel group, The Staple Singers, has died at the age of 78. She had gracefully battled Alzheimer’s disease for the last decade and passed away peacefully at her Chicago home on the morning of February 21, 2013.


Staples was born April 11, 1934 in Drew, Mississippi.  She was the first-born child of Roebuck “Pops” Staples and his wife, Oceola.  The family moved to Chicago in 1936 for better job opportunities. In the Windy City, siblings Pervis, Yvonne, Mavis and Cynthia were born. Pops worked a variety of manual labor jobs during the day and Oceola worked at the Morrison Hotel at night. To entertain the children in the evening, Pops began to teach them gospel songs while he strummed along on his ten-dollar guitar. His sister Katie enjoyed the sing-alongs so much that she arranged for the family to sing at her church one Sunday morning in 1948.  The family was called out for three encores and more than $7 was raised in the offering basket.  Pops realized the family group had a future, and The Staple Singers were born.

The group began to sing on WTAQ 1360 AM radio and made its first recording with “These Are They” for Pops’ own Royal Records in 1953. They then recorded for United Records before striking gold with Vee Jay Records where they recorded “If I Could Hear My Mother Pray Again” in 1956. With Pops’ blues-influenced guitar, Cleotha’s bright high notes, Pervis’ falsetto and Mavis rich contralto, they were on their way to stardom. They became one of the biggest gospel outfits of the era and turned out best-selling gospel classics such as “On My Way To Heaven,” “Will The Circle Be Unbroken,” “Don’t Knock,” “Pray On” and their signature hit, “Uncloudy Day,” generally accepted to be the first gospel record to sell one million copies.

The family became active in the Civil Rights movement after hearing Dr. Martin Luther King, Jr. preach at Dexter Avenue Baptist Church in Montgomery, AL in 1962 while on tour, and they often performed at events at the request of Dr. King.  As they became immersed in the movement, their music broadened from gospel music to more mainstream material.  In 1963 they became the first black recording artists to cover a Bob Dylan song (“Blowin’ in the Wind”), and they also recorded songs of protest such as “For What It’s Worth,” “Freedom Highway” and “Why? (Am I Treated So Bad).”  By 1968, when Pervis had left the group for the Army and Yvonne Staples took his place, they began to record for Stax Records, home of southern soul stars such as Otis Redding, Booker T. & The MGs and Sam & Dave.

At Stax, the Staples enjoyed a run of Top Forty hits, becoming known as “God’s greatest hitmakers” with such songs as “Heavy Makes You Happy (Sha-Na-Boom Boom Yeah)” (1971), “This World” (1972), “Oh La De Da” (1973), “Touch A Hand, Make A Friend” (1974) and “City in the Sky” (1974).  The iconic million-seller “I’ll Take You There” spent a week at Number One on the Billboard pop singles chart and four weeks at that spot on the R&B singles chart. The group also earned two other million-sellers at Stax with “Respect Yourself” (1971) and “If You’re Ready (Come Go With Me)” (1973).

Although Pops and Mavis usually handled vocal leads on Staple Singers songs, Cleotha was featured with Eddie Floyd (of “Knock on Wood” fame) on “It’s Too Late” from the 1969 Stax Records duets LP Boy Meets Girl.  Her velvety soprano was powerful and dynamic on the bluesy ballad about a lost love.  She also appeared with her family’s group in Ghana in 1971 at the Soul To Soul concert, appearing along with Wilson Pickett, Ike & Tina Turner and Santana; at the historic 1972 Wattstax festival in Los Angeles and in Martin Scorsese’s landmark 1978 concert film “The Last Waltz,” in which Ms. Staples and her family sang “The Weight” with The Band.  The Soul To Soul concert and the Wattstax Festival, known as “the Black Woodstock,” have both been the subject of recent documentaries.

The Staple Singers moved to Curtis Mayfield’s Curtom label in the mid-1970’s, where they scored another number one smash, “Let’s Do It Again,” in December 1975 before signing with Warner Bros. Records.
Cleotha’s last recordings were with the Staple Singers for backing sessions on Abbey Lincoln’s Devil Got Your Tongue CD (1993) and Pops Staples’ two solo albums, Peace To The Neighborhood (1992) and the GRAMMY Award-winning Father Father (1994).  After Pops died in 2000, the Staple Singers ceased to perform as a group.

Ms. Staples was inducted into the Rock and Roll Hall of Fame with her family in 1999 and also received a GRAMMY Lifetime Achievement Award in 2005.

Cleotha is survived by her siblings Pervis, Yvonne and Mavis, her dedicated caretakers Penny and Sushi, and a loving and wonderful extended family of nieces, nephews and treasured friends.

“We will keep on,” Mavis Staples says of her sister’s death. “Yvonne and
I will continue singing to keep our father’s legacy and our sister’s
legacy alive.  I just finished my second record with Jeff Tweedy, and it
will be dedicated to my dear Cleedi’s memory.”‘
Homegoing Arrangements
Viewing
Thursday, February 28, 2013
6 PM
Leak & Sons Funeral Home
7838 South Cottage Grove
Chicago, IL 60619
Funeral
Friday, March 1, 2013
10 AM
Trinity United Church of Christ
400 W 95th Street
Chicago, IL 60628
Interment Following Funeral
Oak Woods Cemetery
1035 E. 67th Street

Chicago, IL 60680

Film producer Regina Rene discusses the making of The Barrett Sisters’ movie

By Libra Boyd
Gospel Music Fever

Photo | Do It All Productions, LLC
 Producer Regina Rene (kneeling) with (from left) Rodessa Barrett Porter, Billie Barrett GreenBey, and the late Delois Barrett Campbell.
First introduced to the legendary gospel trio Delois Barrett Campbell and The Barrett Sisters through their unforgettable musical performances in the critically acclaimed 1980’s documentary Say Amen, Somebody, Regina Rene Davis recalls that the film quickly became one of her favorites.
 
Many years later, it would be her appreciation for the gospel veterans’ legacy duetted with Rodessa Barrett Porter’s dream–disclosed to Chicago Tribune journalist Howard Reich during a 2008 interview–that would inspire her to produce and direct the newly released documentary film The Sweet Sisters of Zion: Delois Barrett Campbell and The Barrett Sisters.  The long anticipated 114-minute documentary chronicling the sisters’ lives and careers premiered Saturday, February 16, 2013, at Chicago’s Life Center COGIC. (Read Bob Marovich’s recap and review on The Black Gospel Blog.)
 
For the multi-talented producer/videographer/editor whose resumé includes a lengthy tenure with Entertainment Tonight, the project was an intensive labor of profound love for octogenarian sisters Delois Barrett Campbell, Rodessa Barrett Porter, and Billie Barrett GreenBey, as well as the group’s most recent member, songbird Tina Brown.  Nevertheless, undaunted by personal adversities, unforeseen challenges, and the sisters’ inability to compensate her for the enormity of her undertaking, she forged ahead enthusiastically to transform a dream into a reality for the gospel greats. 
 
“I found [an] article where Mrs. Rodessa said that she wanted a document of their career and that she had all these videos that someone told her would cost $5,000 to put together,” remembers Regina. “And I said, well I can put their stuff together; that’s no big deal.”
 
The fact that it evolved into a feature length documentary, however, is a huge deal. 
 
“I thought I was simply going to be stringing together their footage because if you’ve ever visited Mrs. Campbell’s house when she was alive, she’d always want to put [the Barrett Sisters’ videos] on so people could see them singing–and the grand-kids always had to come in every 15 to 20 minutes to change the DVDs!”
 
But it wasn’t long before Regina discovered that like many artists of their era, the sisters–whose career includes over 30 overseas tours, multiple television and radio appearances, invitations to perform at every major concert hall in the United States as well as The White House, and numerous awards and commendations–had amassed considerably more fame than fortune throughout their careers and had been grossly underpaid for their work.  Meanwhile, there were savvy folks on the business side who had reaped the financial harvest of the sisters’ labor.
 
“So [I thought] maybe I could create something…see what happens and try not to let someone just sign it away again….That’s really how I approached [the idea of a feature film].  I tried to do it in such a way that nobody was gonna take it away from them.”
 
The Sweet Sisters of Zion: Delois Barrett Campbell and The Barrett Sisters is co-produced and owned by The Barrett Sisters. 
 
“At the age of 80-plus, the Barrett Sisters [finally] own something that they did–and they’ve never had that before,” beams Regina.
 
Audiences will be overjoyed that the documentary serves as a fond memorial to Delois, who passed August 2, 2011, at age 85.  Her anecdotes are uproarious at times, although characteristically candid.  Still, beyond Delois’s bright eyes and larger-than-life personality, Regina was especially intent on giving the audience an inside look at the bond that Delois and her younger sisters–each only two years apart and the last survivors of ten siblings–relished both onstage and off.
 
“The thing about the Barrett Sisters is that they’re just like this beautiful hidden jewel of talent, and once you discover them you’re like, ‘Oh wow!’  You see these little morsels of performances, like on YouTube, but then you don’t know anything about them because they don’t have that recognition like the Caravans and Shirley Caesar and James Cleveland and all of those folks from that generation that were successful…but they were very much in that loop [because they were all contemporaries].”
 
Regarding the film itself, Regina explains, “Most documentaries are very sterile and very matter-of-fact.  I really wanted this one to be like listening in on a conversation.”  The concept of the movie was to allow each sister to tell her story in her own words, but to also allow fans to experience the ongoing interplay of ladies who are as close as any siblings can be.
 
“That was the whole point: to capture their spirits, their personalities. They’re just like honey, and we’re the bees.  When they sat down together and they started that camaraderie and that give-and-take and yin-and-yang, that’s when I knew I had something special.  It’s them in their element, being themselves.”
 
Despite the sisters being their delightful selves, the making of the film was not devoid of hurdles. The most challenging thing was trying to make sure I got clearances situated [for the performance footage].  The challenges were more technical than creative….But in terms of going to Chicago and spending time with the sisters, that was a joy!”
Photo | Herbert McFadden
At right: The audience responds to the documentary with a thunderous standing ovation.
That joy was also expressed by every family member, friend, and fan who attended the premiere.  Throughout the movie, laughter, swaying, applause, and even tears filled the edifice of Life Center COGIC as the Barrett Sisters along with professors and icons like Aretha Franklin contextualized the ladies’ indelible influence on sacred music.
 
I actually spoke with Donnie McClurkin last week, and I told him all about [the movie], and he got super excited,” Regina says. “He just went over the moon when I showed him a picture of the Barrett Sisters. He was excited to know that someone was doing a documentary about them.” 
 
The Sweet Sisters of Zion: Delois Barrett Campbell and The Barrett Sisters can be purchased online at www.barrettsistersonline.com and is a must-have for traditional gospel music enthusiasts.
 
“Most of the documentaries that are done about gospel singers and jazz singers are done by people overseas,” Regina points out. “This is one of the few times that we are truly telling our own story in a way that doesn’t come across as rigid and sterile.”
 
“When you’re done watching this movie, if you didn’t know the Barrett Sisters you’re going to say ‘Wow.’  If you did know the Barrett Sisters, you’re going to say ‘Amen.'”
 
For more information on Regina and her company Do It All Productions, LLC, visit www.diaprods.com.
Photo | Herbert McFadden
Regina Rene (right) and group members (seated from left) Tina Brown, Rodessa Barrett Porter, and Billie Barrett GreenBey as well as Chip Johnson (standing left) and Randy Johnson are congratulated by friends at the VIP reception for the documentary premiere.

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The Hymns of the Church – Reverend Lawrence Thomison

Reverend Lawrence Thomison
Reverend Lawrence Thomison Sings The Hymns of the Church
Indie (2011)
Available at CD Baby 

By Libra Boyd
Gospel Music Fever

In case there is doubt about whether or not there’s still room for hymns in today’s churches, let Rev. Lawrence Thomison assure you in the affirmative with his fittingly titled CD Reverend Lawrence Thomison Sings The Hymns of the Church, produced by Jonathan Winstead and Chris Carr.

Backed by a 40-voice
choir with singers from the Nashville and Memphis areas, Thomison relies
heavily on his traditional gospel background to pour out each of the 11 sacred tracks
with fervor.  His charisma is as infectious on the handclapping “On the
Battlefield” (featuring Jennifer Selvy-Carr) and mostly a cappella “Let Jesus Lead You” as his worship is tangible on “Great Is
Thy Faithfulness,” over Julius Fisher’s soothing piano accompaniment.  Even a contemporized version of “Thank You Lord” has ample traditional flavor to be well received in either
style of worship.

In addition to Selvy-Carr’s appearance, other tag team efforts on this project are notable too. The always soulful Wess Morgan guests on “Yes, God Is
Real,” as does Michelle Prather on “Have A Little Talk With Jesus,” lifting every round of the bluesy, horn-laced song higher and higher as Rev. Thomison, choir, and band thrust her forward.

If you’ve actually seen him perform during his tenure with Dr.
Bobby Jones and the Nashville Super Choir–or even as a soloist–you’ll
wonder how Rev. Thomison managed to stand stationary at a studio mic long
enough to record “Blood Medley” without hotfooting like one whose shoes are ablaze, especially when he transitions from the Crouch
classic “The Blood Will Never Lose Its Power” to uptempo selections “Power in the Blood” and “Oh The Blood of Jesus” before the climactic “I Know It Was the
Blood.”

Four additional hymns round out this churchy offering to make it
an enlivening interpretation of the music that has ushered many a
generation through the jerks and snatches of life.  Surely, if you think of hymns like a cached webpage on a newly updated website, then Reverend Lawrence Thomison Sings The Hymns of the Church is like hitting “Refresh” on your Internet browser.

Favorites
“Have A Little Talk With Jesus” “The Blood Medley” 

Fever Meter 
SIMMERIN’ (3 of 5 Stars)